Where the hell is our good morning post?
In the other f***ing thread where it belongs.
Where the hell is our good morning post?
We deserve two and you know it.In the other f***ing thread where it belongs.
More than any other drummer, Matt Cameron laid the rhythmic foundation for the Nineties rock revolution, reconciling proggy technicality with overwhelming force. He aptly characterized his rotary-blade rhythms on the 1991 Soundgarden track "Jesus Christ Pose" as "a pure assault of the senses," but that efficient brutality wasn't necessarily characteristic of Cameron's work with the band – his drumming on Superunknown is as thoughtful as it is heavy, from the fluid asymmetry of "Spoonman" to the unshakeable backbeat of "Fell on Black Days." Twenty years after its release, Dave Grohl was still raving, "Nobody played drums like Matt." When Soundgarden suddenly disbanded in 1997, Cameron wasn't out of work for long: Pearl Jam invited him on tour the following year. "They didn't try to tone me down at all," he told an interviewer near the beginning of his ongoing stint with the band. "I'm kind of known for playing weird, crazy fills and sometimes playing things I shouldn't be playing, but they loved it — at least that's what they told me."
@Captain Dave Poulin , our next (5th) pick will complete InFusion of ConFusion
I've been focusing on songwriters thus far and that isn't going to change, but with Chilton, Lee, & Lloyd, we're really guitar heavy. We need a drummer. Luckily, there's someone on the board who is not only a badass drummer but also a great vocalist and songwriter.
Pick #4: Grant Hart
Hart inherited his older brother's drum kit after he died in a car accident, and by 14 was drumming professionally in Minnesota. He was one of the two primary songwriters for the hardcore trash cum power pop trio Hüsker Dü, along with [Liverwurst]. Early on, the Hüskers were pure thrash, playing lightning quick noisy punk with gnashing guitars and wailing vocals backed by Hart's driving beat, but soon evolved into something far more sophisticated, crafting songs filled with strong melodic hooks while retaining a punk edge. For his part, Hart didn't just write his own songs, he also sung them while beating the hell out of his kit, which he liked to play barefoot. Here are some of his best:
@Captain Dave Poulin Robert Fripp was a member of king crimson, but king crimson had about 4 completely different iterations of which he was about the only constant.
Can I pick someone who was in king crimson for a short time but left and formed his own band?
I'm going to go in a different direction then just in case.I don't know much about them, but here's what I would say. If you say his name and people think "He was in King Crimson," then you probably shouldn't pick him. If he was just incidentally in there for a bit, it's probably fine. If you are reasonably sure that no one else would pick him, then it's probably fine, too.
I'm going to go in a different direction then just in case.
I'm backed into a corner with my Chris Squire pick. I mean we're talking about an absolute legend, but it's taken some huge names off the board for me. That being said, I'm going to chose IAN ANDERSON as our co-lead singer with Gilmour. Also lead flute.
I'm not anticipating many pop hits from this band. I'm envisioning a lot of instrumentals and 5 song records - I mean...think King Crimson, Pink Floyd, Yes, and Jethro Tull. The kings of the instrumental. I believe Anderson and Gilmour have differing voices to keep the listener on their toes as they trade rare verses in 11 minute songs, and though I consider Gilmour to have the premiere, more ethereal "prog rock" voice that I have in mind as the best fit for this theoretical sound, Anderson's voice will do just fine. What I'm most excited about is his flute which will slot very, very nicely in the ethereal sound I'm going for
I have suggestionsI need a bassist and I’m drawing a damn blank
Sure why notI have suggestions
With Descendents on hiatus, Stevenson joined Black Flag, resulting in their most well-regarded period. Stevenson was the bedrock that gave [Ranch] the room to incorporate aspects of so many genres to his guitar playing. Normally I wouldn’t choose a single for an example like this, but Stevenson absolutely crushes the opening and bridge here.