Personally, I don't believe that a reviewer's job is to forecast whether or not people/the casual audience will enjoy a movie, so the resentment that people have about these things not correlating has always felt rather silly to me. Their job is to eloquently convey their perspective, not attempt to be useful for absolutely everyone.
Ultimately, it comes down to whether or not a person actually sees value in the brand of entertainment that it sounds like you're referring to (and why), and it's perfectly valid not to (personally, I don't at all, at least based on what I'm hearing). It's true that that may just mean that the movie isn't for that person, but so what? That should have no bearing on whether or not it's a fair review regardless. I should hope that a reviewer doesn't go easy on a movie just because OTHER people might see value in it-- sounds completely irrelevant and a compromised consideration to cater to, to me. They either see value in it being that way themselves, or they don't, and that's what I'd want a reviewer to expand on.
Personally though, it's less about "it has to hit you in the feels" specifically. For me, something just has to have something legitimately inspired, tastefully executed, decidedly not soulless, or memorable about it for me to appreciate it (that's not a demand or expectation, that's just an "it is what it is" consequence). No premise, no matter how dumb/absurd it superficially SOUNDS, is something that I'd preclude from being able to be those things. But that's just me.