OT: The Music Thread Part Six

Status
Not open for further replies.

GordonHowe

HFBoards Sponsor
Sponsor
Sep 21, 2005
17,316
18,819
Newton, MA.
Not sure where you heard the bold, but there's plenty of hate. To be honest, the guy who takes the biggest hit is McCartney. He was a bastard, especially to George. George takes some grief for being whiny, and John's nothing but a strung out junkie. The only ones who come off as people I'd want to be around are Ringo and (to my and everyone's surprise) Yoko.

Peter Jackson


the guy who made the doc, said as much when Get Back was released,

 

jgatie

HFBoards Sponsor
Sponsor
Sep 22, 2011
11,815
12,954
Peter Jackson


the guy who made the doc, said as much when Get Back was released,


I didn't get that personally. There was enough going on that made you see the band was not doing well. Paul openly criticized George, basically telling him his songs sucked, or trying to get him to change things (again, the underlying theme was they aren't good enough). John came and went, sometimes showing up hours after he was supposed to and obviously high. The quitting and walkout by George was covered heavily. None of them could agree on a venue for the live show. Sure it was upbeat when the writing process was going well or during the outstanding jam sequences, but there was always a tension in the air. Like I said, the only one always cool as a cucumber was good old Ringo (and even he had complaints).
 
  • Like
Reactions: GordonHowe

GordonHowe

HFBoards Sponsor
Sponsor
Sep 21, 2005
17,316
18,819
Newton, MA.
Liking the Bowie version the best...all so good.


David Bowie[edit]

English musician David Bowie recorded the song in 1971, produced by Ken Scott, under the title "Round and Round". Originally slated for inclusion on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, it was ousted by "Starman" at the last minute.[4] Regarding the song, Bowie stated in 1972: "It would have been the kind of number that Ziggy would have done onstage...He jammed it for old times' sake in the studio, and our enthusiasm for it probably waned after we heard it a few times. We replaced it with a thing called 'Starman'. I don't think it's any great loss, really."[4] "Round and Round" was eventually released as the B-side of the single "Drive-In Saturday" in April 1973. The original single mix was included on the compilations Rare (1982) and Re:Call 1, part of the Five Years (1969–1973) compilation (2015). Alternate mixes were included on Bowie's Sound + Vision box sets (1989, 2003) and on the bonus disc of the Ziggy Stardust - 30th Anniversary Reissue (2002). Bowie also performed it live on 3 July 1973 at the final concert of the Ziggy Stardust Tour, featuring Jeff Beck on guitar.[4] The song was not included in the D. A. Pennebaker-directed film of the concert or the accompanying soundtrack album
 
  • Like
Reactions: Blowfish

Blowfish

Count down ...
Jan 13, 2005
23,573
15,936
Southwestern Ontario
I realize it's sacrilege, but I was never a Bob Marley fan, nor am I much for true reggae. I respect it as an idiom.

I got my reggae through a filter of The Clash,





Not really reggae, but a favorite,




And with that comment about reggae you are now on ignore...lol. Big clash fan here. My only album was combat rock. I pretty much like every song on that album. I will check out the Roxy video. Thanks for sharing.
 
  • Like
Reactions: GordonHowe

aguineapig

Guest

GordonHowe

HFBoards Sponsor
Sponsor
Sep 21, 2005
17,316
18,819
Newton, MA.
And with that comment about reggae you are now on ignore...lol. Big clash fan here. My only album was combat rock. I pretty much like every song on that album. I will check out the Roxy video. Thanks for sharing.
To me, for what it's worth, their first album is uneven but there's some good stuff on there, and features a favorite cover of "I Fought the Law,"




London Calling is a great double album, as I'm sure you know. That's my favorite,









Anyone remember the SNL knock off Fridays?






I seem to recall that Sandinista! was a three album effort, though in truth I never listened to it,



Combat Rock came out in '82, my freshman year at Emerson. It was a huge U.S. success, and that was it for them. They broke up shortly thereafter,


Rest in peace., Joe.

😮
 
Last edited:

jgatie

HFBoards Sponsor
Sponsor
Sep 22, 2011
11,815
12,954
To me, for what it's worth, their first album is uneven but there's some good stuff on there, and features a favorite cover of I Fought the Law.

London Calling is a great double album as I'm sure you know. That's my favorite. I seem to recall that Sandinista was a three album effort. Combat Rock came out in 82, my freshman year at Emerson. It was a huge American success, and that was it for them. They broke up shortly thereafter.

😮

Complete Control is still the greatest punk song ever and White Man in Hammersmith Palais is the Clash's Freebird.

Give a listen to Give 'Em Enough Rope, the lesser known second album. I think it has some underrated gems on it. It's sort of the crossover from the first to London Calling, where they slowed down, learned to play their instruments a little, and delved into things besides power chords and dub beats.
 
Last edited:

Blowfish

Count down ...
Jan 13, 2005
23,573
15,936
Southwestern Ontario
To me, for what it's worth, their first album is uneven but there's some good stuff on there, and features a favorite cover of I Fought the Law.

London Calling is a great double album as I'm sure you know. That's my favorite. I seem to recall that Sandinista was a three album effort. Combat Rock came out in 82, my freshman year at Emerson. It was a huge American success, and that was it for them. They broke up shortly thereafter.

😮
Speaking of Reggae bands...



Was the annual Police Picnic a thing for anyone? It was in Toronto 1980s.

 

Blowfish

Count down ...
Jan 13, 2005
23,573
15,936
Southwestern Ontario
The Movies



The Original.




Perfect timing ... my sister is heading to the Keys! Thanks for sharing. BTW a great series to watch "based in the Keys" is Bloodline. Might be one of my favourite series next to Breaking Bad.

Complete Control is still the greatest punk song ever and White Man in Hammersmith Palais is the Clash's Freebird.

Give a listen to Give 'Em Enough Rope, the lesser known second album. I think it has some underrated gems on it. It's sort of the crossover from the first to London Calling, where they slowed down, learned to play their instruments a little, and delved into things besides power chords and dub beats.
Love Complete Control...excellent choice for top punk songs. We should take a trip down punk rock classics one fine day.
 
  • Like
Reactions: GordonHowe

GordonHowe

HFBoards Sponsor
Sponsor
Sep 21, 2005
17,316
18,819
Newton, MA.
Complete Control is still the greatest punk song ever and White Man in Hammersmith Palais is the Clash's Freebird.

Give a listen to Give 'Em Enough Rope, the lesser known second album. I think it has some underrated gems on it. It's sort of the crossover from the first to London Calling, where they slowed down, learned to play their instruments a little, and delved into things besides power chords and dub beats.
✔️

It's a little bratty, a little precocious, and a little introspective. I wasn't "Born in the Fifties" but I could relate. Especially to the "We gave up on God and prayed to the TV" line.

I see you have a succinct descriptive of the band. Nice work. :tinker:
 
  • Like
Reactions: Blowfish and jgatie

McGarnagle

Yes.
Aug 5, 2017
30,352
41,637
The weird thing about the Police to me is that every song of theirs that's on the radio, I kind of hate, but when someone posts a deep cut from an album I actually like it a lot. It's really weird. When the opening riff of Roxanne or Every Breath You Take come on the radio I reach for the dial to change the station, but someone posts an album song of theirs and I'm like, this bops.
 
Status
Not open for further replies.

Ad

Upcoming events

Ad

Ad