Part 2 of the Porcupine Tree show I attended last evening at Place Bell.
Second half got more and more loud, so by the middle of it, my ear plugs became handy.
Hard to believe that Steven Wilson began the band 30 years ago. He doesn't look older than 30, with his full head of hair -- he's got that rocker look down but he doesn't overdo it. No odd facial contortions, no jumps, just occasional pointing to the crowd and lots of crouching.
His guitars were mostly a distressed Telecaster, a PRS and an acoustic black Takamine. Drummer played a Sonor kit, had six mounted toms but only one bass drum (he was using a double pedal) and Zildjian cymbals. I guess he was loyal to the brands that drummers were playing when he started. I never was a fan of Zildjians, neither As nor Ks, I was always partial to Paiste as they tended to cut through more but this drummer was more low key -- he stayed within boundaries that left more presence to the two guitarists and the keyboard player. Plus, a lot of musicians who made it, are sponsored and get stuff for free so who knows if anyone on stage was playing instruments that were their first choice.
The band's sound guys did a phenomenal job. Don't know if it was because I was so close to the stage, but there was no echo. The band delivered clean, crisp sounds throughout. Maybe it's also a testament to Place Bell, where the acoustics are way better than the Bell Centre.
Show began at 8 PM, they took a 20 minute break and then played til 11 PM.
Coming off the intermission, Steven Wilson came out with his bare feet but he's so cool that he pulled it off. He's an unassuming type, you couldn't even see a logo or the name of the band anywhere on the stage. Wilson was wearing an unrelated t-shirt that said "Voltaire" and black cords. He thanked the crowd so may times and did so mostly in French. He seemed moved by the constant cheers and screams.
My seats were to the right of the stage, was facing the drummer which was great as we saw him do a lot of neat fills and beats. Drummer looked a little like Neil Peart but played more reservedly. Steve Wilson is more melodic than technical but he sure knows how to generate special effects from his guitars (or maybe he's got great tecchies). He also played keyboards on a couple of cuts.
The songs really became intricate and textured when Wilson's guitar was meshing with the other guitarist who was pumping out some truly nice, dreamy riffs that often left openings for the keyboard player, punctuated by a solid drumming backbone and bass.
The lighting was just right, without being blinding. There was a huge screen in the backdrop, that was used for stock images and video sequences in support of some of their songs and sometimes it was shut off and replaced by a wall of color. Some smoke was used for effect on the left of the stage but it was only on a couple of songs and barely there. There were no screens showing the action on stage for the benefit of fans sitting far away, which was odd. Those people in the stands must have been seeing little puppets all night long.
Band played another song I like called "Halo", which was well received by the crowd. And then Steven Wilson announced the last song and said this:
"We have never had a "hit" (air quotes) and we think it's much better that way. We don't have any Paranoid song, no Comfortably Numb, nor a Hotel California, but we have this song Trains that we'll play for you." The crowd hung on every word and loved how he positioned his band relative to what other more mainstream acts have done.
They proceeded with it and it was glorious. The band then all left their instruments, and took a bow together -- the only time that security allowed fans to take photos.
Leaving the building, I saw the merch table and there truly was nothing interesting. It all looked run of the mill, nothing stood out so it made it very easy to ignore.
Only downside to that $9 underground parking that I used was the very long lineups of cars, it took forever to get out as there were 3 floors of cars trying to pour out of narrow exit points. It took some 30 minutes to get out of the parking. I arrived at the concert a little late and scrambled for parking until I saw the underground metro parking, where 10 minutes into the show, there was a sign saying that there were 50 places left. It just felt unreal that there was so much parking available that cost so little and wasn't too far from the venue.
All in all, I would rate this experience as A-1. Great acoustics, amazing seats, well ventilated, good distance between front and back seats, I never felt any crowding the way I did at the Bell Centre where the seats are narrower in some sections. Now that I've tasted being so close to the stage from a floor level seat, I will not hesitate to do it again if another viable act books the venue. If Porcupine Tree were playing another gig closer by, I would have gladly attended but they had just played in Ottawa the gig preceding Place Bell. Had I known they would sound this good, I'd have gone to that show too.
Bottom line, if there is a show you really like and it's at Place Bell, go for those primo seats, they cost way less than what it would take for you to be at the same spot in the Bell Centre and the sound is way better.