Movies: Last Movie You Watched and Rate it | {Insert Appropriate Seasonal Greeting Here}
- Thread starter ProstheticConscience
- Start date
KallioWeHardlyKnewYe
Hey! We won!
- May 30, 2003
- 15,768
- 3,807
Mr. Klein. This Paris-set identity mystery set on the verge of the Holocaust is perhaps an odd choice of a movie to watch for someone whose beliefs were on the losing side of the 2024 US presidential election. Told a friend that's what I am doing and his text response was "JFC dude." But ...
I actually found the movie to be pretty cathartic. Alain Delon's Mr. Klein is a cold opportunist, profiting on the artwork and possessions of Jews forced to flee Paris becuase SOMETHING is coming ...He is not himself a Nazi or a direct collaborator, but he operates and profits from his willful ignorance of the things going on around him. I found the ending to be incredibly fitting and, honestly, satisfying. Active supporters of fascists and passive enablers like Klein always believe the horrors will stop before it gets to them but this movie shrewdly spins a compelling story that builds to the question ... what if it doesn't?
I actually found the movie to be pretty cathartic. Alain Delon's Mr. Klein is a cold opportunist, profiting on the artwork and possessions of Jews forced to flee Paris becuase SOMETHING is coming ...He is not himself a Nazi or a direct collaborator, but he operates and profits from his willful ignorance of the things going on around him. I found the ending to be incredibly fitting and, honestly, satisfying. Active supporters of fascists and passive enablers like Klein always believe the horrors will stop before it gets to them but this movie shrewdly spins a compelling story that builds to the question ... what if it doesn't?
Bahama Mama
Sunny days
I think that may be Delon's best performance.
KallioWeHardlyKnewYe
Hey! We won!
- May 30, 2003
- 15,768
- 3,807
Pedro Paramo (2024) Directed by Rodrigo Prieto 4B
Pedro Paramo is based on a highly influential Mexican novel of the same name. What makes the novel important is that it introduced the style of magic realism to fiction and influenced Nobel Prize winning Columbian author Gabriel Garcia Marquez (One Hundred Years of Solitude; Love in the Time of Cholera; Of Love and Other Demons) who took the form to majestic heights. Fulfilling a promise he made to his mother on her deathbed, Juan attempts to find his father, Pedro Paramo, in a remote deserted village that he finds is populated totally by ghosts. It is through these different figures that he learns the extent to which his father was a brutal tyrant. The movie incorporates his strange journey through the village with flashbacks that show us Pedro's story.
So here's the rub. While the story sounds interesting, the way that first-time director Rodrigo Prieto (Martin Scorsese's current cinematographer) presents it is dull and boring. I was tempted to turn the thing off. There was just a bare minimum of scenes and visual touches that enabled me to continue watching. Part of the problem is that Prieto doesn't always know how to frame a scene, but a bigger problem is that there is nothing magical about the realism on display whatsoever. We just slog along, Prieto telling the story devoid of any emotional resonance or dramatic interest. If I learned that Pedro Paramo had been directed by an AI, it wouldn't have surprised me in the least.
Netflix
subtitles
Poolman (2023)
Chris Pine basically plays "the Dude". A middle-aged Angeleno with little to no income, no wife or kids.. but with a reverence for old Hollywood and petty complaints & obsessions about LA mass transit.
I saw this got a lot of negative reviews and comments online, but I thought it was okay. Just the old stoner/slacker depiction is kinda tired. A lot of nods to vintage Hollywood, Pine becomes a noir detective thru the movie.
Pretty dumb, but still entertaining in spots. This movie probably would've landed better back in the 80s or 90s.
Chris Pine basically plays "the Dude". A middle-aged Angeleno with little to no income, no wife or kids.. but with a reverence for old Hollywood and petty complaints & obsessions about LA mass transit.
I saw this got a lot of negative reviews and comments online, but I thought it was okay. Just the old stoner/slacker depiction is kinda tired. A lot of nods to vintage Hollywood, Pine becomes a noir detective thru the movie.
Pretty dumb, but still entertaining in spots. This movie probably would've landed better back in the 80s or 90s.
Heretic (2024) Directed by Scott Beck and Bryan Woods 7A
Sister Paxton and Sister Barnes, two young Mormon missionaries, knock of the door of Mr. Reed (Hugh Grant) who greets them with good humour and curiosity and invites them in for a piece of blueberry pie that his wife is making. Or is she? Is she even there? First the missionaries' faith is sorely tested, followed closely by their very lives as there seems no way out of Mr. Reed's strangely spooky house. And that blueberry pie only materializes in the damnedest way much later in the movie. The horror builds gradually over the first two acts which consist of increasingly tense scenes where Mr. Reed lectures the girls on religion in a way that is intended to undermine their beliefs and values. His arguments are surprisingly well considered ones, but the presentation becomes increasingly more unhinged. The young missionaries growing sense of alarm escalates because though Mr. Reed remains affable, even seemingly normal, they start to realize they are butterflies stuck in a very diabolical spider's web. The horror escalates in the third act.
I thought Heretic was a delight, a horror movie that is intellectually engaging and well acted. Mr. Reed has some very firm views on organized religion, craftily arguing that they are all iterations of much older texts that owe more to myth than to divine revelation. He does believe religion serves a purpose but it is anything but a nice one. Hugh Grant is wonderful in the role. All his trademark mannerisms are intact but he has turned their purpose from charm to villainy of a rather engaging kind--that is, until more and more is revealed about what is going on in the basement. It is one of his best performances in years. The more we get in to true horror late in the movie, Heretic gets a little messy intellectually as well as in terms of gore, but not enough to spoil the fun. Heretic provides a lively ride, and people might even discuss the ideas and symbolism after leaving the movie theatre.
Best of 2024 so far
- Anora, Baker, US
- Flow, Zilbalodis, Latvia
- Caught by the Tides, Jia, China
- All We Imagine As Light, Kapadia, India
- Do Not Expect Too Much from the End of the World, Jude, Romania
- Green Border, Holland, Poland
- Heretic, Beck and Woods, US
- The Seed of the Sacred Fig, Rasoulof, Germany
- The Shadowless Tower. Lu, China
- Here, Devos, Belgium
NyQuil
Big F$&*in Q
Hugh Grant has actually picked some good roles recently.
On the less artistic front, he was a wretched and unprincipled journalist in the Gentlemen, and a surprisingly engaging antagonist of sorts in Dungeons and Dragons who stole virtually every scene he was in.
He seems to genuinely enjoy playing bad guys for a change and it shows in his performances.
On the less artistic front, he was a wretched and unprincipled journalist in the Gentlemen, and a surprisingly engaging antagonist of sorts in Dungeons and Dragons who stole virtually every scene he was in.
He seems to genuinely enjoy playing bad guys for a change and it shows in his performances.
AtlantaWhaler
Thrash/Preds/Sabres
- Jul 3, 2009
- 20,218
- 3,464
Watched Bodies Bodies Bodies (1/10) on a flight to NY this past weekend. Was one of the worst movies I've ever seen. Had a bunch of older actors (like Pete Davidson) trying to act like highschoolers which was over-the-top annoying. It had the worst acting.
As for the plot, it's yet another take on the kids partying in a remote mansion-sized cabin during a storm when they start dying and their phones and cars stop working, story. About 90% of the movie is them arguing with each other while screaming and crying. I held out for a possible good twist at the end, and it was terrible. Should have picked Twisters instead.
As for the plot, it's yet another take on the kids partying in a remote mansion-sized cabin during a storm when they start dying and their phones and cars stop working, story. About 90% of the movie is them arguing with each other while screaming and crying. I held out for a possible good twist at the end, and it was terrible. Should have picked Twisters instead.
Rodgerwilco
Entertainment boards w/ some Hockey mixed in.
- Feb 6, 2014
- 7,976
- 7,424
Interesting to see an A24 film get such a bad rating. I generally can't imagine anything with Pete Davidson will be any good. I'm sure at some point my wife will force me to see this, as she has an obsession with A24 Studio lol. I'll report back
AtlantaWhaler
Thrash/Preds/Sabres
- Jul 3, 2009
- 20,218
- 3,464
Small Things Like These (2024) Directed by Tim Mielants 7A
In 1985 in a small village in Ireland, Bill Furlong (Cillian Murphy), who delivers heavy bags of coal to different residences, makes a stop at the local nunnery and sees something he shouldn't, a young woman being forced through the door of the convent. Still struggling with his own past demons, he is deeply troubled by this. He believes he has witnessed one of the Catholic Church darkest transgressions, the Magdalene Laundries, abusive places where unwed pregnant girls (around 57,000 in total) were forced to go and where their infants were almost invariably taken from them at birth. The rest of the movie is basically a quiet tour de force for Murphy as Bill struggles with his conscience about what to do. His wife, indeed, even the local bar keep, wants him to forget what he has seen because he might do something that could harm the Church whose power in small-town Ireland even at this late date is still all encompassing. His will is pitted against the Mother Superior of the convent played chillingly by Emily Watson who has no qualms whatsoever about wielding her power.
This is a small thing itself of a movie, but its impact is formidable. Most of Bill's plight is communicated visually as we watch Murphy painfully contend with his own misgivings. He is part of a culture that ignores the abuses of the Church, and it is obviously no small feat to contemplate doing something which could affect at great personal cost his wife and five daughters, whose schooling the nuns have control over. What a follow-up this is to Murphy's Oscar winning performance in Oppenheimer. I'm not sure that Murphy's performance here isn't superior. He manages to communicate a whole lifetime of reticence and emotional restraint, a man not used to making waves of any kind. Like the novel that it was taken from, Small Things Like These bears eloquent witness to the importance of a good man not allowing himself to look the other way.
Sidenote: I was surprised that the movie was set as late as 1985. I then remembered that the last infamous Residential School in Canada wasn't closed until 1997.
For those who do not know, Residential Schools refer to Canada's state sponsored schools, affecting around 150,000 indigenous children, run primarily by the Catholic Church but including significant involvement from other Christian denominations where abuse was rampant and not infrequently fatal (at least 6509 deaths for sure, but it is impossible to know the complete number as the children were usually buried in unmarked graves). Canada's House of Commons in 2022 unanimously concluded that what occurred in these schools was genocide.
Best of 2024 so far
- Anora, Baker, US
- Flow, Zilbalodis, Latvia
- Caught by the Tides, Jia, China
- All We Imagine As Light, Kapadia, India
- Do Not Expect Too Much from the End of the World, Jude, Romania
- Green Border, Holland, Poland
- Heretic, Beck and Woods, US
- The Seed of the Sacred Fig, Rasoulof, Germany
- Small Things Like These, Mielants, Ireland
- Here, Devos, Belgium
Last edited:
Neighbors (1981)
A Boomerish dark comedy.. John Belushi plays an unexpectedly square character.. a repressed suburban father. But his unfulfilling life is quickly turned when a pair of insane, swinging neighbors (Dan Akroyd) move in next door.
Humor and cultural commentary that was very typical of the time. Not bad.. not very funny my opinion, but interesting. I watched it on Tubi.
A Boomerish dark comedy.. John Belushi plays an unexpectedly square character.. a repressed suburban father. But his unfulfilling life is quickly turned when a pair of insane, swinging neighbors (Dan Akroyd) move in next door.
Humor and cultural commentary that was very typical of the time. Not bad.. not very funny my opinion, but interesting. I watched it on Tubi.
Rodgerwilco
Entertainment boards w/ some Hockey mixed in.
- Feb 6, 2014
- 7,976
- 7,424
Brothers (2024) - Directed by Max Barbikow. (1/10)
Such a waste of time. Despite having an incredibly strong cast... (Peter Dinklage, Josh Brolin, Glenn Close, Marissa Tomei, Brendan Fraser) this film is one of the most basic and lame films I've seen recently. Jady Munger (Dinklage), and his twin brother Moke (Brolin), play two career twin brother criminals... Blah Blah Blah..... (What is it with Peter Dinklage's fixation with playing brothers who one of them is little and the other is average size?) The brothers and their criminal mom(Close) ..... try to pull off a job to make some "career ending money" and then it goes sideway, shockerrrrrr..... Brendan Fraser is a jail worker who tries to make some money on the deal.......Yada yada yada....
In rare form for me I'm going to go with a Kojima-esque review for this film.
"Watched Brothers today. It was a film"
I don't need to say any more. This movie sucked
Unholy Diver
Registered User
That's disappointing, I saw a preview for it, probably while watching football on Prime, and thought that seems like something I will say I should watch and then never watch in the end
Rodgerwilco
Entertainment boards w/ some Hockey mixed in.
- Feb 6, 2014
- 7,976
- 7,424
Disappointing to me as well, but that's how it goes, I guess. You'd be better off never watching it lol.
Emilia Perez (2024) Directed by Jacques Audiard 6A
A super violent cartel boss hires a smart Mexico City lawyer to help him disappear and transition into a woman. Oh, and it's a musical. I haven't used the expression "far out" in half a century, but the premise of this movie is like far out, man. Does it work? Yes and no. The story was pleasingly unpredictable, the musical numbers, though mostly tuneless, were not that much of a distraction, and the acting by all concerned (Zoey Saldana, Karla Sofia Gascon, Selena Gomez) was excellent. As well, I thought director Jacques Audiard did an imaginative, swing-for-the-fences job of directing. However, what this movie is trying to say about the transgender experience is not at all clear--too often Emilia's transition seems like a mere plot device to heighten the melodrama and give the story a different spin to what otherwise would be a superficial narrative. And the ending is a real disappointment. It is as if Audiard couldn't figure out how to bring his movie to a close and just took the easy way out. Still, I gotta say Emilia Perez, one of the more audacious movies of the year, more than held my interest from start to finish.
subtitles
Netflix
Last edited:
I just saw Heretic too and loved Hugh Grant in it..... He was also a fun villain in Paddington 2.
Gladiator II (2024) Directed by Ridley Scott 4A
A good family man who only wants to be left alone to live in peace must become first a soldier, then a slave, then a gladiator in order to eventually take down the evil despot(s) responsible for killing a loved one. Sound familiar? Gladiator II borrows so much from the original that it appears more like a self-congratulatory homage than a true sequel. There are some pleasures, though. More than in the original movie, Gladiator II has some crazy action sequences that involve a whole lot of CGI of various quality and some outrageous ideas that include rabid baboons from the gates of hell, a war rhino and, wait for it, sharks. These sequences will leave you shaking your head but they are definitely a lot of fun to watch on a big screen, which is sort of a must for this movie.
The rest of the movie is not so much fun. Paul Mescal is a fine replacement for Russell Crowe, but he is a very internalized actor, meaning he gives a solid performance but lacks Crowe’s charisma in the original, Mescal seems almost too earnest to fit in well with this surprisingly campy movie. It is left to Denzell Washington to steal the show as a shifty power broker with real big plans and steal it he does with panache. Washington seems to be having a pretty good time and the audience has a good time watching him. However, relying too much on a pedestrian, copy-cat script, Gladiator II lacks anything like the emotional force of the first one. Though it will mightily challenge your suspension of disbelief, Gladiator II is worth watching for the action, but it is nowhere near as good as the original. It's not even in the same Coliseum.
flyersnorth
Registered User
- Oct 7, 2019
- 4,672
- 7,139
Juror #2 (2024) Directed by Clint Eastwood 7A
94-year-old Clint Eastwood continues to direct movies and Juror #2 is one of his good ones, certainly better than his most recent efforts like Cry Macho and Richard Jewell. Juror #2 is an old-fashioned court room drama that is not so much a whodunnit as a thorny moral quandary. Justin (Nicolas Hoult), reluctantly picked for jury duty, begins to realize that he may have vital information in regard to what happened to the man on trial for killing his girlfriend. The problem is that the information could be misunderstood which would lead to him incriminating himself. What to do; what to do? The Prosecutor (Toni Collette) has an election to win, so her personal interests become part of the equation, too--it would be to her benefit to get a conviction, here, whatever doubts she might develop later on. Both juror and prosecutor are good, decent people. Juror #2 neatly sets up its premise and then examines all the tricky issues involved in finding justice for the murdered girl.
As usual, Eastwood's direction doesn't call attention to itself. But it is good enough to cover over some of the logical shortcomings of the script. If not the most suspenseful court room drama that I have ever seen, Juror #2 is at least a pleasingly tense one, thanks to the performances that Eastwood gets from Hoult and Collette. Although there is a fair amount of meat on the bone to chew on, I think Clint finds just the right way to end the movie in a manner that washes away a lot of the self-interested rationalizing that has gone on previously. But he is never preachy. All in all, Juror #2 is a thoughtful piece of work by the nonagenarian.
I watched this last night and was left feeling underwhelmed.
The jurors felt very flat as characters. The script was just ok.
I enjoyed the moral dilemma and set up, but the execution was lacking for me.
Anatomy of a Fall did much better as a legal thriller / drama.
