Meh, the socialist thing never bothered me. The day I look to rock stars for advice on politics or economics is the day I give up on everything. Besides, enough of Joe's lyrics dealt with the hypocrisy of being a rock star (White Man In Hammersmith Palais, Garage Band) that I truly believe he was in on the joke; even if they themselves were ripe with the same hypocrisy (US Festival).
But he could still be a dick.
That was well outweighed by the way they embraced their fans and truly believed they were a band for the people. Two statements about The Clash I will go to my grave believing - They are "The only band that matters", and "We need them now more than we needed them then". The Clash were rebels, and even if they were manufactured rebellion, I didn't care. To quote Marlon Brando in "The Wild Ones" when asked what he was rebelling against, he replied "Whatta you got?" That's The Clash to me.
I always thought the "only band that matters" business was pretentious rubbish. But hey, to each his own.
I once got into an argument with a guy in high school was the only other person who dug punk & new wave. This was 1979.
This guy revered the Clash. When I questioned their cred visa vi the Pistols -- they were fashionistas, and so, of course, were Lydon & his pal Ritchie -- he was incensed by my lack of awe.
I lent him McCartney's Back To the Egg. He lent me London Calling (still by far my favorite).
Back To the Egg is a good record, often overlooked.
Even so, I got the better of the deal.