I loved the episode last night and I was luke warm on season 1. The tonal shift really helped the show and it was almost like this premiere was a soft reboot. Also that asteroid scene was awesome and probably my favorite scene in the series so far. Loved seeing the crew work together and
Detmer and Owosekun might be the underrated dynamic duo this series needs.
I gave it an 8 in the poll that
@Cloned just quoted.
This is kind of the problem. First off, I didn't even know the name of the one who wasn't Detmer, even though she was there all of last season. The only reason I knew Detmer's name was because she got that tiny subplot of constantly hating Burnham since she was on the Shenzhou too. But second and more important: like I said before, we're in season 2 and know next to nothing about like 75% of the bridge crew/senior officers. Last year's narrative focus breakdown for major characters was like:
50% Burnham
15% Tyler
11% Lorca
10% Stammets
9% Saru
4% Tilly
0.9% Detmer
0.1% Everyone who wasn't the above (including dead chief medical officer guy, and that includes the significant plot point
that he died)
(That adds up to 100%, yeah? I can't be bothered to double-check my math.
)
The problem was that doing a serialized story for season 1 meant that there was no room for other characters to get noticed. You can't stop the story to have a focal episode on other crew members unless they have something to do with the main plot thread. So Burnham is at the center of
everything, Tyler/Lorca/Saru/Stammets/Tilly get a fair amount of screentime because they have something relevant to contribute to the war story, Detmer gets her tiny "I still hate you, Burnham" subplot, and everyone else is just there as glorified window dressing. If they want me to care about a character, I need to know more about them. I need some background to humanize them beyond being a name tag at a station and the occasional quippy one-liner or "yes sir". Yes, every Trek series ends up with 1 or 2 standout characters, but the strength is always that it's an ensemble drama with a whole cast that gives something for everyone to latch on to. The only time I can think of where this was a complete and total failure was Mayweather on Enterprise, except here it's like we have a crew that's halfway made up of Mayweathers. The rest of the time everyone at least gets something to do with themselves.
I feel like everyone's so busy trying to reinvent Trek for the 21st century that nobody realizes we haven't had a good, episodic, "go out and explore the universe and see strange new worlds" show since TNG. Even Enterprise, which started out with that promise, bailed on it as soon as it could to try and latch onto viewers with the "Temporal Cold War" bull**** and the Xindi arc. And the best thing about the S2 premiere (Pike) makes me wish that we'd been delivered that as the series conceit instead. Give us the Pike Enterprise with its mostly different crew (they don't even need to have Spock there from the beginning) on their 5-year mission to explore deep space and finding new stuff. Have the Klingon war as a subplot across a few episodes, with them intersecting with its outskirts a few times. Do this "red thing" plot from this season as an underlying story to pop back in on throughout its second season, but don't force it to be the only important thing they do.
I do kind of get why this doesn't happen. Serialized stories are all the rage now because a) they get their claws into viewers and "force" them to keep going, which means a less fluctuating audience and stronger viewer retention for advertisers, b) it lets writers flex their muscles in building gigantic worlds and broad scope ideas instead of forcing them to work at tightly focused, self-contained single scripts, and c) it encourages binge watching on streaming services, which is one of their most marketable features beyond schedule flexibility. But it just makes me sad that we're now going to get teased with a much more intriguing possibility that will never come to pass.
Also the writing at times feels like it could easily have started out not as a Star Trek show and just had a thick coat of Trek paint slathered on top of it along with its bad fanfiction tendencies.
It's still Trek enough that it's better than a lot of the other bad sci-fi that makes it on TV (in an era where classic futuristic sci-fi is shockingly underrepresented), and I'm still going to hang on to see if it can pick itself up off the ground, but where a lot of the other Treks' slow starts were just sort of clunky and disjointed, I don't think I ever looked at them as being as grossly flawed as this one has been so far.