Movies: Last Movie You Watched and Rate it | {Insert Appropriate Seasonal Greeting Here}

Rabid Ranger

2 is better than one
Feb 27, 2002
31,571
11,828
Murica
I watched Extraction and Extraction 2 back to back. I thought Hemsworth did a good job with the role but both movies were pretty paint by numbers. I think the first one is a better movie. The second one required more suspension of disbelief than I'm generally capable of. I'd go:

7/10 for Extraction
6/10 for Extraction 2
 

Unholy Diver

Registered User
Oct 13, 2002
20,204
3,862
in the midnight sea
Elemental 8/10

Cute movie, the animation was pretty cool, and the story of the two main characters overcoming the stigma of "elements can't mix" worked on a level that kids or parents could enjoy
 
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NyQuil

Big F$&*in Q
Jan 5, 2005
99,190
65,536
Ottawa, ON
I watched Extraction and Extraction 2 back to back. I thought Hemsworth did a good job with the role but both movies were pretty paint by numbers. I think the first one is a better movie. The second one required more suspension of disbelief than I'm generally capable of. I'd go:

7/10 for Extraction
6/10 for Extraction 2

 

Osprey

Registered User
Feb 18, 2005
27,924
10,810
I watched it last night, too. At one point, a helicopter fired a rocket that exploded 6 feet away from him, but he turned around and shielded his face with his arm, so he was OK. :laugh:
 

kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,875
11,145
Toronto
Elemental 8/10

Cute movie, the animation was pretty cool, and the story of the two main characters overcoming the stigma of "elements can't mix" worked on a level that kids or parents could enjoy
I wonder how this will play in Florida, ha, ha.
 

ItsFineImFine

Registered User
Aug 11, 2019
3,745
2,389
Midnight (1939) - 6.5/10

Decent little premise but average execution. I'm not really a fan of Claudette Colbert she's just weird you can tell she was a silent film star that transitioned to the talkies. It never really devolves into too much slapstick so I appreciate that but the humour is avg.

The Silence of The Sea (1949) - 7/10

Early Mellville film which is very restrained. Maybe one of the more subtler Nazi films, no action of course and truthfully very little drama, just pain and regret. Quite well done in that regard a modern version would feel the need to be far more emotionally tedious. I respect it even if it wasn't the most riveting cinema.
 
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tarheelhockey

Offside Review Specialist
Feb 12, 2010
86,724
144,364
Bojangles Parking Lot
Uncharted 6/10

It's actually pretty decent if you grab some popcorn and suspend your disbelief for a while. Basically a modern Indiana Jones with dashes of other movies thrown in there. They probably could have cast the lead role with someone better than Tom Holland, because the lead role in this movie needs to look like he can have a legal drink, or drive a car, or shave. But still, all the components are there for a fun action flick.
 

nameless1

Registered User
Apr 29, 2009
18,202
1,020
Ikiru (1952) (subtitles)
3.50 out of 4stars

“A Japanese bureaucrat tries to find meaning in his life after he discovers he has terminal cancer.”
An excellent drama that is both existential and socio-political. It’s a beautifully thoughtful and in-depth examination on the meaning and value of life. Powerful enough to make one reflect on their own being. The film examines nightlife/fleeting-pleasures, companionship/friendship, job choices, financial impact, mindset, and familial relations/motives among other things. It seems to profess being a master of one’s own life and not a slave. As a whole what I took from the film is that the essence of life is an invaluable gift where one should always have vitality and exhibit passion in everything they do, enjoy everything they do, be proactive, have some form of companionship, and do something(s) or create something(s) that aids other people in some way. It feels cumulatively like a higher state of mindfulness with a touch of kindness thrown in. And of course stressing the fact that one should be at peace with their life and be “proud” of it if they looked upon it, for one can die at any time, immediate or far far away. Politically, it clearly shows the failures of the government especially in regard to their main purpose of serving the people and giving them a better quality of life, including but not limited to healthy living conditions, livable wages, and public recreational areas. The government is shown to have cumbersome processes, be full of robotic workers that maintain the status quo, and people acting in their own selfish interests (or special interests). The story is brought to life very well in the lead by Takashi Shimura as well. And I am completely shocked that at some point doctors, at least in Japan, apparently did not disclose terminal cancers to their patients upon diagnosis/detection.

This is in my personal top 10, and for over two decades, it is still a perfect 10 for me. People often pick Rashomon as Kurosawa's first masterpiece, but for me, Ikiru is truly Kurosawa's first masterpiece. There is a lot of emotional depth in this one, but it never feels manipulative, because it is nicely balanced by the subtexts, mainly Kurosawa's commentary on post-war Japan.

Shimura often gets overshadowed by Kurosawa's later partnership with Mifune that became legendary, but he appeared in the most Kurosawa films out of any actor, and he is just as integral to both of their careers. Shimura's versatility, as he can be the heroic elder statesman, shown in Drunken Angel, Stray Dogs and The Seven Samurai, and he can also play a hapless and weak man in the midst of a middle-age crisis, such as Scandal and this one, Ikiru, allowed him to do whatever Kurosawa required of him early in the director's career, which helped Kurosawa to slowly solidify his reputation as one of the foremost director in Japan, while his screen presence also allowed a young Mifune to not have the pressure to carry a film, which can be fatal for many young actors, and even learn from him what it takes to be a movie star and actor. Personally, Shimura should be on equal status with Mifune and Kurosawa, because they are often together in one another's best works, and more people should give him his due.

As for the way health care providers hide the information, one has to remember that it is post-war Japan, where everything was in ruins, so it is understandable that people probably would not have reacted well to bad news. Furthermore, it is probably just a side of Asian culture that often hides bad news. When Japan had that nuclear reactor meltdown about a decade ago, the Japanese government hid and downplayed the seriousness of it for months, which actually made more people sick as they did not evacuate in time. I also have some personal experience with it, because when I was 9 in the early 90s, within 3 months after my family immigrated to Canada, my dad was diagnosed with cancer. Since it happened so quickly after we immigrated, we were not covered under Medicare, so we went back to Hong Kong for treatment. It was terminal stomach cancer, but the doctors there also downplayed it and gave us more hope than reality. They said he had at least 6 months, but he passed away two months after diagnosis. That is why I think Ikiru is likely accurate, because even in the 90s, doctors in Asia seem to still downplays fatal diagnoses.
 
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ItsFineImFine

Registered User
Aug 11, 2019
3,745
2,389
Adam's Rib (1949) - 7/10

Good but could've been better. Katherine Hepburn and Spencer Tracy don't really have romantic chemistry so it feels off the entire time. The best scenes should have been the ones in the courtroom but they had average writing and had the bad habit of cutting away during the scene with a "Later That Evening" cutaway. Also a bit of a poor love triangle here. Still there's some decent comedy and writing mixed in throughout and the first half is intriguing enough before the premise fails to deliver.
 
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Rodgerwilco

Entertainment boards w/ some Hockey mixed in.
Feb 6, 2014
8,018
7,499
This is in my personal top 10, and for over two decades, it is still a perfect 10 for me. People often pick Rashomon as Kurosawa's first masterpiece, but for me, Ikiru is truly Kurosawa's first masterpiece. There is a lot of emotional depth in this one, but it never feels manipulative, because it is nicely balanced by the subtexts, mainly Kurosawa's commentary on post-war Japan.

Shimura often gets overshadowed by Kurosawa's later partnership with Mifune that became legendary, but he appeared in the most Kurosawa films out of any actor, and he is just as integral to both of their careers. Shimura's versatility, as he can play the heroic elder statesman, shown in Drunken Angel, Stray Dogs and The Seven Samurai, and he can also play a hapless and weak man in the midst of a middle-age crisis, such as Scandal and this one, Ikiru, allowed him to do whatever Kurosawa required of him early in his career, which helped him to slowly solidify his reputation as one of the foremost director in Japan, while his screen presence also allowed a young Mifune to not have the pressure to carry a film, which can be fatal for many young actors, and even learn from him what it takes to be a movie star and actor. Personally, Shimura should be on equal status with Mifune and Kurosawa, because they are often together in one another's best works, and more people should give him his due.

As for the way health care providers hide the information, one has to remember that it is post-war Japan, where everything was in ruins, so it is understandable that people probably would not have reacted well to bad news. Furthermore, it is probably just a side of Asian culture that often hides bad news. When Japan had that nuclear reactor meltdown about a decade ago, the Japanese government hid and downplayed the seriousness of it for months, which actually made more people sick as they did not evacuate in time. I also have some personal experience with it, because when I was 9 in the early 90s, within 3 months after my family immigrated to Canada, my dad was diagnosed with cancer. Since it happened so quickly after we immigrated, we were not covered under Medicare, so we went back to Hong Kong for treatment. It was terminal stomach cancer, but the doctors there also downplayed it and gave us more hope than reality. They said he had at least 6 months, but he passed away two months after diagnosis. That is why I think Ikiru is likely accurate, because even in the 90s, doctors in Asia seem to still downplays fatal diagnoses.
Superb analysis on one of my favorite dramas. Very well stated. I agree with your take on Shimura's legacy with Kurosawa being overshadowed. I generally enjoy Shimura's performances myself if I had to compare the two.

I'm sorry to hear the story of your father. It seems like your personal parallel with the film makes Kurosawa's message really echo in a deep way. It's a somber testament to how timeless much of his work really is, especially Ikiru. The more things change, the more they stay the same.
 
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Neil Racki

Registered User
May 2, 2018
5,314
5,765
Baltimore-ish
C'Mon C'Mon ... 7/10. An arthouse movie to be smelled adoringly by arthouse fart sniffers

Joaquin Phoenix is a journalist and takes in his nephew for a bit while his sister figures things out. Slow moving, dialogue heavy, black and white. Like a Woody Allen flick.
 
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KallioWeHardlyKnewYe

Hey! We won!
May 30, 2003
15,772
3,808
The Adventures of Priscilla Queen of the Desert. A sweet and joyful movie paradoxically staring a trio of actors (all good here!) who I don't think have ever otherwise been described as playing sweet and joyful characters. Sad to watch this today and realize how much social attitudes have actually regressed in the nearly 30 years since this was released. When viewed at the time, I thought we were moving forward.

Cobra. A nonsense-bomb mess of a movie that I still have softspot for. I think a gang of serial killers is a catchy idea (especially in the 80s and especially when they seem to live in a foundry and are constantly banging axes together ritualistically). Some good gnarly, creepy sequences. I still don't think Sly Stallone has figured out if he's in a comedy or a drama. His quips and food obsession feels off every time he opens his mouth and yet ... I remain entertained. It's almost more comic booky than 80s action. It all has this weird aura that elevates it (ever so slightly) above a lot of the cop-on-the-edge stuff. Allegedly there once was a much longer cut that makes more sense but part of me believes that might actually be worse.
 

ItsFineImFine

Registered User
Aug 11, 2019
3,745
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The Duellists (1979) - 7/10

First full Ridley Scott film and is imo better than The Last Duel. It's not as polished as The Last Duel, it has a more Barry Lyndon-esque cinematography but I think that makes it look better and more immersive historically whereas the newer one feels very much like a bunch of expensive sets and costumes but with modern actors. There is less suspense here too and more emotional detachment which is probably both a strength and weakness. Harvey Keitel's character is one-dimensional and one-note and not fully explored whereas the protagonist shows some development but lacks charisma or likability to really cheer or care much for.
 
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nameless1

Registered User
Apr 29, 2009
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Superb analysis on one of my favorite dramas. Very well stated. I agree with your take on Shimura's legacy with Kurosawa being overshadowed. I generally enjoy Shimura's performances myself if I had to compare the two.

I'm sorry to hear the story of your father. It seems like your personal parallel with the film makes Kurosawa's message really echo in a deep way. It's a somber testament to how timeless much of his work really is, especially Ikiru. The more things change, the more they stay the same.

I appreciate the kind words. As I got older and learned more in life, I realized that it could be a blessing in disguise, because at least my dad did not have to suffer long.

Time, sometimes, is the best healer. It took a while, but once I came upon that perspective a couple of years ago, I do feel more at peace.
 

Unholy Diver

Registered User
Oct 13, 2002
20,204
3,862
in the midnight sea
The Flash - 7.5/10

I was pleasantly surprised by this one, I thought the trailers made it look like a total cluster, and I haven't watched the Flash show or really had much knowledge of the character, but I found the movie to be pretty enjoyable overall, and as someone who grew up with the Keaton Batman, it was nice to see him in there as well
 
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Bahama Mama

Sunny days
Oct 12, 2022
172
310
Winding Bay
That`s an interesting thought on charismatic actors. maybe a reflection too on the type of films that are made today. Light comedies, musicals, etc seem rare. Another Audrey Hepburn film I liked was The Nun`s Story and don`t know if that film would be made now. Even then there was a question of whether it would have an audience. Agree on location films, probably why I`ve always liked westerns.
I've always enjoyed westerns,but what makes a movie a western?
 

Chili

Time passes when you're not looking
Jun 10, 2004
8,788
4,924
I've always enjoyed westerns,but what makes a movie a western?
I'm sure there are multiple interpretations, here's mine: it focuses on a period of westward expansion in the 19th century in North America. From horseback to wagon trains to eventually the iron horse. The people, the natives, settlers, towns folk, land barons, sheriffs, judges, card sharks, gun slingers, dance halls, general stores, saloons, cattle drives, ghost towns, mining camps, Gold!....

Not sure about the lasting appeal in general, late 1950's well into the 1960's westerns ruled tv. And then came the 'spaghetti' westerns from Italian directors with a different view of the west, along with some iconic music. There are still some good films made. I really liked Dead Man-1995 with Johnny Depp, in black and white with Neil Young's score in the background. Maybe the theme of folks often just trying to survive in an inhospitable time and place. I know some folks include more recent stories, referred to by some as neo-westerns. Similar theme just occurring more recently. I think Dirty Harry was an example of the western story brought to the present day.

My favorite western is Once Upon a Time in the West. It's a fable that sums up the west and the arrival of the train. I love westerns with great cinematography, the John Ford films from Monument Valley believe inspired many others, including Sergio Leone in that film.

Edit: Before creating Star Trek, Gene Roddenberry was writing tv shows including for Have Gun Will Travel. Have noticed western themed stories in some early Star Trek episodes.
 
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OzzyFan

Registered User
Sep 17, 2012
3,653
960
I'm sure there are multiple interpretations, here's mine: it focuses on a period of westward expansion in the 19th century in North America. From horseback to wagon trains to eventually the iron horse. The people, the natives, settlers, towns folk, land barons, sheriffs, judges, card sharks, gun slingers, dance halls, general stores, saloons, cattle drives, ghost towns, mining camps, Gold!....

Not sure about the lasting appeal in general, late 1950's well into the 1960's westerns ruled tv. And then came the 'spaghetti' westerns from Italian directors with a different view of the west, along with some iconic music. There are still some good films made. I really liked Dead Man-1995 with Johnny Depp, in black and white with Neil Young's score in the background. Maybe the theme of folks often just trying to survive in an inhospitable time and place. I know some folks include more recent stories, referred to by some as neo-westerns. Similar theme just occurring more recently. I think Dirty Harry was an example of the western story brought to the present day.

My favorite western is Once Upon a Time in the West. It's a fable that sums up the west and the arrival of the train. I love westerns with great cinematography, the John Ford films from Monument Valley believe inspired many others, including Sergio Leone in that film.

Edit: Before creating Star Trek, Gene Roddenberry was writing tv shows including for Have Gun Will Travel. Have noticed western themed stories in some early Star Trek episodes.
Well put. I'm no expert, but I'll put 2 cents in. I'd suggest Dead Man is not your usual western, and somewhat an acquired taste with the Jarmusch's style given my viewing/thoughts. Might not be an ideal representation, albeit a great film. Ford, Leone, Hawks, Peckinpah, Eastwood, and Mann are generally the most notable directors, all with a bit of their own style and with time related elements. Depends what you want most, positivity, darkness, action, visuals, music, etc. Not a bad place to start off with if going through the genre.
 

NyQuil

Big F$&*in Q
Jan 5, 2005
99,190
65,536
Ottawa, ON
There's some discussion of what a "Western" is in this thread:

 
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Satans Hockey

Registered User
Nov 17, 2010
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argento-dracula.jpg


Dracula 3D (2012) - 1/10

A 3D retelling of the 1897 Bram Stoker novel.

This ensemble cast features Unax Ugalde as Jonathan Harker, who in this version is a librarian is hired by Count Dracula (Thomas Kretchamann) to tend to the library in his castle. Harker's wife Mina (Marta Gastini) arrives in the same village shortly after, but is unable to locate her husband. Worse, there has been a series of unexplained deaths in the area. Mina seeks the help of Dr. Abraham Van Helsing (Rutger Hauer), a vampire expert who has just arrived in the village...

Dracula 3D was written and directed by Dario Argento. In a 2013 interview, Argento was quoted as saying he had wanted to direct a Dracula film for a long time, and could now find a way to do a unique take on the story thanks to the updates in 3D advancements. However, the film was maligned upon release, and currently sports a 3.6 rating on IMDB. Despite the poor reputation, this reviewer went in with an open mind. How did it fare?

This movie does literally everything wrong.

The plot is a chopped down version of Dracula, foregoing the portions of the story in England in favor of taking place exclusively in Transylvania. Similar to 1980's Inferno, the audience spends each of the three acts with a different protagonist (Jonathan -> Mina -> Van Helsing), which makes things feel clunky. But that's the least of this film's problems.

Visually, the film looks horrible. Though the sets in Dracula's castle aren't bad, the lighting in the film is too bright and gives the movie the appearance of a stage play. Adding to that is the poor cinematography, which often features stagnant camera work. There's one moment where Marta Gastini and Rutger Hauer are talking to each other and the camera is just pointed at their profiles as they make eye contact with each other. I cannot stress enough how much this movie looks like a play.

In at least once instance though, I would've preferred more stagnant camera work. There's a scene where Mina is investigating Dracula's castle and there are way too many cuts, causing the audiences to lose all sense of direction and space. It is an extremely poorly directed sequence by Argento, who also turns in a bad effort overall.

The acting in Dracula 3D is also very rough, but it's hard to blame the performers considering how poor the writing is. A lot of the dialogue, especially earlier in the film, is completely pointless and filled with characters simply exchanging pleasantries. The film is also needlessly sexualized, with Argento once again being unable to resist having daughter Asian Argento - who plays Lucy - bare all. With how bad literally everything else is, if Dracula 3D were just a bit more gratuitous, I'd swear this was an adult version of the Stoker novel.

Possibly worst of all is the special effects, which are unacceptable and at times hilariously bad. There's one scene in which a character catches on fire, and it is hands down the worst "fire" scene you'll ever see in a serious movie. There is also a scene in which someone is attacked by a computer generated mantis, which looks like it was drawn in Microsoft Paint. I did not watch the film in 3D, but from what I could tell, the most dramatic 3D effect involved a big fly randomly hovering around Jonathan Harker. Dracula 3D did not have a large budget ($7.7M USD), but it looks like his cost about as much as a Big Mac to make.

The final sin committed by Dracula 3D is that it's nearly 2 hours long, and feels even longer. The first hour in particular moves extremely slow and is an absolute chore to get though. Things pick up a bit once Rutger Hauer appears in the film, but not by much. Even though the audience spends so much time with the characters, thanks to the lack of horror and tension, you're never even remotely invested in what happens to any of the characters in this film.

Overall, Dracula 3D is one of the worst movies I've ever watched. Legendary director Dario Argento has had a rough last 20 years, but this film managed to fall below my already extremely low expectations. I have no idea what Argento was going for here, as it's neither scary or stylish. It's the type of film where you start to ask yourself questions like "Did this guy really direct Suspiria?" as you're watching it. I've seen some reviewers say Dracula 3D is bad, but has some redeemable qualities and is a better film than 2009's Giallo (which I rated 3/10). I could not disagree strongly enough, and in hindsight feel as though I was too hard on Giallo. Only watch Dracula 3D out of morbid curiosity, or if you're interested in seeing the worst special effects to be featured in a mainstream film.

I've never seen that one before but watched the trailer, woof that looks bad lol

There's a new Dracula movie coming out in August that looks promising called The Last Voyage of the Demeter.

"Based on a single chilling chapter from Bram Stoker’s classic novel Dracula, The Last Voyage of the Demeter tells the terrifying story of the merchant ship Demeter, which was chartered to carry private cargo—fifty unmarked wooden crates—from Carpathia to London."

 

shadow1

Registered User
Nov 29, 2008
16,732
5,539
I've never seen that one before but watched the trailer, woof that looks bad lol

There's a new Dracula movie coming out in August that looks promising called The Last Voyage of the Demeter.

"Based on a single chilling chapter from Bram Stoker’s classic novel Dracula, The Last Voyage of the Demeter tells the terrifying story of the merchant ship Demeter, which was chartered to carry private cargo—fifty unmarked wooden crates—from Carpathia to London."



Yeah it really is. I've only given a "1" on IMDB 0.006% of the time, so it takes a special piece of crap for me to assign that rating.

Interesting trailer! I'm a fan of bottle movies, and the "Captain's Log" chapter in the novel has often been overlooked in Dracula adaptations.
 

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