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‘The Whale’
There are few things Oscar voters prefer more than a transformational role and a comeback narrative, and this season, Brendan Fraser’s got both. In Darren Aronofsky’s new drama, Fraser wears a prosthetic bodysuit to transform into a 600-pound shut-in named Charlie, who attempts to reconnect with his angry daughter (Sadie Sink) as his health falters. Interest is high in the 53-year-old actor’s return to the limelight, and every time a clip hit social media of the emotional Fraser soaking up applause in Venice and Toronto, a young generation raised on his heroics in “The Mummy” reliably made those videos go viral. Though some festival pundits have taken issue with the film’s depiction of an obese protagonist, awards voters will still be wowed by Fraser’s work, making him this year’s prohibitive best-actor favorite.
Of all the upcoming releases noted here, i’m most excited to see The Whale at this point. 6 minute standing ovation aside (yes Olivia Wilde’s recent Don’t Worry Darling also had an extended one which was reported everywhere, but critics seemed to really dislike it in hindsight so its not always the tell all tale of a great movie) this one has so much potential and considering Darren Aronofsky is behind it, I’m all in. Everyone loves a good comeback story.
I’m one of the rare few who didn‘t see what all the other critics and moviegoers saw with this one In terms of its nearly universal praise. I felt like I was seeing a totally different movie from the one others watched. For whatever reason it just did nothing for me and I’m a huge fan of A24 films in general. I think all the hype for it being mind blowing and life changing was a bit excessive and misleading.‘Everything Everywhere All at Once’
This A24 film from the directing team Daniels opened way back in March, but you’d hardly know that based on the major festival tributes to its star, Michelle Yeoh, in both Toronto and Venice. A flag was planted in both places: This indie hit has now entered its awards-campaign phase, and since the fall festivals didn’t produce major front-runners in the picture and directing categories, expect “Everything Everywhere,” to gun for recognition in both races as well as the supporting actor category (where Ke Huy Quan could be this year’s Troy Kotsur), original screenplay and more. Yeoh’s best-actress nomination is almost certain, though she’ll face plenty of competition from Blanchett. Both women were handed dazzling signature roles this year, and their race should be the season’s most exciting.
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