Movies: Last Movie You Watched and Rate it | {Insert Appropriate Seasonal Greeting Here}

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‘The Whale’
There are few things Oscar voters prefer more than a transformational role and a comeback narrative, and this season, Brendan Fraser’s got both. In Darren Aronofsky’s new drama, Fraser wears a prosthetic bodysuit to transform into a 600-pound shut-in named Charlie, who attempts to reconnect with his angry daughter (Sadie Sink) as his health falters. Interest is high in the 53-year-old actor’s return to the limelight, and every time a clip hit social media of the emotional Fraser soaking up applause in Venice and Toronto, a young generation raised on his heroics in “The Mummy” reliably made those videos go viral. Though some festival pundits have taken issue with the film’s depiction of an obese protagonist, awards voters will still be wowed by Fraser’s work, making him this year’s prohibitive best-actor favorite.

Of all the upcoming releases noted here, i’m most excited to see The Whale at this point. 6 minute standing ovation aside (yes Olivia Wilde’s recent Don’t Worry Darling also had an extended one which was reported everywhere, but critics seemed to really dislike it in hindsight so its not always the tell all tale of a great movie) this one has so much potential and considering Darren Aronofsky is behind it, I’m all in. Everyone loves a good comeback story.
‘Everything Everywhere All at Once’
This A24 film from the directing team Daniels opened way back in March, but you’d hardly know that based on the major festival tributes to its star, Michelle Yeoh, in both Toronto and Venice. A flag was planted in both places: This indie hit has now entered its awards-campaign phase, and since the fall festivals didn’t produce major front-runners in the picture and directing categories, expect “Everything Everywhere,” to gun for recognition in both races as well as the supporting actor category (where Ke Huy Quan could be this year’s Troy Kotsur), original screenplay and more. Yeoh’s best-actress nomination is almost certain, though she’ll face plenty of competition from Blanchett. Both women were handed dazzling signature roles this year, and their race should be the season’s most exciting.
I’m one of the rare few who didn‘t see what all the other critics and moviegoers saw with this one In terms of its nearly universal praise. I felt like I was seeing a totally different movie from the one others watched. For whatever reason it just did nothing for me and I’m a huge fan of A24 films in general. I think all the hype for it being mind blowing and life changing was a bit excessive and misleading.
 
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Puck

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Jun 10, 2003
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Tenet (2020)
Dir. by Christopher Nolan

View attachment 595869

Easily Nolan's worst film by a mile, and one of the worst action adventure experiences I've had in recent memory.

A complex plot wrapped in bad casting, blank characters, clunky dialogue, and horrendous sound editing. It managed to be loud and boring simultaneously, like Michael Bay at his worst but with the pretentiousness of an auteur.

In retrospect, perhaps Nolan is not cut out to do Bond at all.

Score: 2/10
I didn't really like it either the first time but I watched it a second time and enjoyed it more. I think the backwards time jumping was confusing and difficult to order in my head but I had my bearings straight on the second viewing. Nolan also did some backwards audio in the background that was annoying but I decided to ignore that on the second trip. It's not a great film but I did enjoy it more on the second run.

I had also disliked Memento on the first viewing but enjoyed it better the second time around. I used to dislike films with really muddled time sequences but I think I'm getting the hang of it.
 

Puck

Ninja
Jun 10, 2003
10,772
421
Ottawa
I’m one of the rare few who didn‘t see what all the other critics and moviegoers saw with this one In terms of its nearly universal praise. I felt like I was seeing a totally different movie from the one others watched. For whatever reason it just did nothing for me and I’m a huge fan of A24 films in general.
I have noticed that younger folks like this film more than the older gen. All my older friends hate this film too. THe talking rocks really gets to them (in a bad way lol). I'm older generation, I'm surprised I took to it as well as I did. I think it helped that I had seen a few reviews before viewing and went in with a 'tongue-in-cheek' mentality, that is, not to take it TOO seriously. I think it's a fun ride if you go in with the right mentality. If you don't then you will probably hate this film. (its a love it or hate it experience I suppose)
 

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I have noticed that younger folks like this film more than the older gen. All my older friends hate this film too. THe talking rocks really gets to them (in a bad way lol). I'm older generation, I'm surprised I took to it as well as I did. I think it helped that I had seen a few reviews before viewing and went in with a 'tongue-in-cheek' mentality, that is, not to take it TOO seriously. I think it's a fun ride if you go in with the right mentality. If you don't then you will probably hate this film. (its a love it or hate it experience I suppose)
I went in to it with the highest of expectations after reading all over that it was the best movie of the year. The endless superlatives being tossed around upon its release on top of the perfect or near perfect rotten tomatoes score had me pretty excited. I’m certain I would have liked it more had my expectations not been so sky high for sure. I hadn’t seen so much positive hype for a movie before in quite awhile.
 
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shadow1

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Nov 29, 2008
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[Rec]² (2009) - 6/10

A SWAT team and a medical officer investigate an apartment complex ravaged by an infectious virus.

Taking place moments after the original film, [Rec]² stars Jonathan Mellor as Dr. Owen, a Ministry of Health official who joins four heavily armed Spanish National Police officers (Ariel Casas, Alejandro Casaseca, Pablo Rosso, Oscar Sánchez Zafra) to infiltrate the ill-fated apartment building from the first [Rec] movie. As the group works to investigate what caused the outbreak, all is not is as it appears to be.

Jaume Balagueró and Paco Plaza both return to the Director's chairs for this sequel, and [Rec]² feels like an extension of the original film. Whereas [Rec] was a "found footage film" from the perspective of a TV crew, here we see the events through a combination of helmet cameras worn by the police officers, as well as a camera one of them carries.

Though the film visually looks the same, the narrative quality is a step down from the original [Rec] film. The set up is good; the film builds dread early because you know these characters are walking into an absolute charnel house. There are also a couple really great sequences from the POV of the helmet cams. However, the plot seems to run out of gas pretty quickly, and the middle of the movie is follows a group of different characters in what ultimately culminates in a meaningless subplot.

Additionally, you have to suspend your disbelief more in this film. In [Rec], it made sense that the camera man would film the ordeal because he really didn't have anything better to do, and the crap didn't really hit the fan until the end. By comparison, in [Rec]², things are dialed up to a 10 very early on. Despite this, instead of shooting zombies with his submachine gun, one of the soldiers instead stands around holding a big camera and recording his comrades being attacked throughout the course of the film. It just doesn't work logically; the directors should've relied on the helmet cameras way more than they did.

Even with some flaws though, [Rec]² is a decent sequel that follows the same model as Halloween II (1981), continuing moments after the original film. I wouldn't put it at Halloween II's level in terms of quality, but if you enjoyed [Rec], it's worth checking out to see how the rest of the night transpires.


You're Next (2011) - 4/10

A family getaway turns into a nightmare when a group of men wearing animal masks conduct a siege on a vacation home.

You're Next stars Sharni Vinson as Erin, a student who joins her boyfriend Crispin (A.J. Bowen) on a weekend retreat in rural Missouri to celebrate his parents' wedding anniversary. Also attending this getaway are Crispin's three siblings and their partners, bringing the party total to 10. As they sit down to enjoy dinner, the party is viciously attacked by a group wearing animal masks. With communications cut off, the partygoers have no choice but to fight back...

Directed by Adam Wingard, You're Next is a low budget siege film in the vein of something like John Carpenter's Assault of Precinct 13 (1976). Made for only $1M, the film was successful commercially ($27M box office) and currently has a very respectable 6.6 rating on IMDB. I love siege films, horror films, and low budget films. Why didn't I like this?

The shaky cam. The stupid, stupid shaky cam. Unless I mistakenly watched this movie on a boat and not on my living room couch, this film has the most egregious shaky cam I've ever seen. It ranged from frustrating in some scenes, to unbearable in others, and at times included motion interpolation ("soap opera effect"). Even the calm scenes of this movie, the camera was unstable. People have been making movies for over a century and have been able to convey dread, horror, and tension just fine without using this terrible technique - which mostly just succeeds in giving the audience a headache.

I could make this whole movie's review about the camera not being steady, but I've made my point. As far as the plot goes, it was somewhat by the numbers. It was very easy to guess the film's "twist" early on, and once you do, it's just a waiting came for it to be revealed as the body count rises. I couldn't help but feel the movie could've been over in five minutes if either party (good or bad) had a gun. That's more of a nitpick, but once you find out the motivations of the antagonists, their methods aren't very efficient.

You're Next's characters were a mixed bag, as most of them were unlikable, and others were underdeveloped. One character has a survivalist background, but it feels underused; they don't do anything too special. To make matters worse, most of the characters are fairly dense, often splitting up with no weapons when they know the assailants are in the house. Hey, gotta get the bodycount up somehow, right?

Overall, You're Next was a frustrating watch. The seizure-style camera work flat out ruined the movie for me, and the predictable plot didn't help matters. Clearly I am in the minority as this film seems to be loved, so take this review with a grain of salt.
 

KallioWeHardlyKnewYe

Hey! We won!
May 30, 2003
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Haven't been good about checking in with any of my horror movie shenanigans so I'll just do a few quick hits of things that jumped out one way or another.

A pair of Night of the Living Dead inspired ventures I dug: I Drink Your Blood. NOTLD as a grimy and amusing exploitation flick. The Living Dead at Manchester Morgue. NOTLD as a classy (well classier) British production. It's the accents I think.

Perfect Blue. A reality-bending, anime stalker thriller that's truly worthy of DePalma and Argento.

Cemetery High. A 1989 flick that deserves some credit for being self-referential years before that became "a thing." Unfortunately the talent of everyone involved isn't nearly good enough to sell this very very prolonged joke.

Halloween II (Zombie version). Rob Zombie is a talented director and he has a few films I genuinely love. This is not one of them. I applaud the fact that he brings a genuine POV and style to this, but the relentless brutality is just a tough sit (which is part of the point!). Don't care much for the lead actress here either. BUT, to the positive side both Malcolm McDowell and Brad Dourif are excellent.

Werewolves Within. I laughed a bunch. Sam Richardson is a goddamn national treasure.

Eaten Alive. A post Chainsaw Tobe Hooper running back some of the same murderous local schtick but without nearly the same zeal or impact.

Tomorrow late afternoon through Wednesday afternoon I embark on my annual 24-hour marathon. Have at least 12, MAYBE 13 movies scheduled out. Will probably log in here as I go.
 

OzzyFan

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Sep 17, 2012
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Perfect Blue. A reality-bending, anime stalker thriller that's truly worthy of DePalma and Argento.

Perfect Blue is an excellent reality-bending film. It's psychological elements of dealing with being a newly famous celebrity, especially at a young naive age, and the social and business consequences on top of that is jolting in itself, then throw in the stalker mystery and reality trip and you have an amazing world of madness to experience. There is even more going on than that too. One of my favorite animes for sure, might be my favorite but it's so hard for me to compare cross genre with these types of film. Satoshi Kon is a tremendous filmmaker that died way too young and the world is lesser for it. Tokyo Godfathers is a christmas staple of mine and Paprika is endlessly visually imaginative.
 

kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,872
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Argentina, 1985 (2022) Directed by Santiago Mitre 7A

State Prosecutor Julio Strassera is given a dangerous fool's errand by his government. In a mere 42 days, he must mount a case against the now deposed but still dangerous military junta in Argentina, the regime that was responsible for 30,000 missing citizens, the "disappeared." Senior colleagues, thinking it is a death sentence to aid him, decline to participate in the case. So, Strassera, under constant threat, recruits a team of very young inexperienced prosecutors to help him put together a case against nine members of the fascist military regime. The kids are fearless, and the trial, almost miraculously, begins, the first trial in South America by a democratic state attempting to bring former military henchmen to justice.

Argentina, 1985 feels almost like a remake of Costa-Gavras masterpiece Z, a movie that told a similar story about a reluctant prosecutor in Greece and a military junta. Argentina, 1985 is a genuine crowd pleaser of a movie but it lacks the wracking suspense and tension of Costa-Gavras work. But using surprisingly deft touches of humour throughout and possessing a wonderfully detailed lead performance by the great Ricardo Darin, the film finds other ways to tell its story, with a focus on victims as well as the criminals. Argentina 1985 is both an involvong entertainment and at the same time a movie that bears witness to the monstrous atrocities that occurred in Argentina under military dictatorship. It's one of those rarities, a feel-good movie that you can actually feel good about.

subtitles

Best of 2022

1) Decision to Leave, Park, South Korea
2} Aftersun, Wells UK
3) No Bears, J. Panahi, Iran
4) Hit the Road, P. Panahi, Iran
5) Everything Everywhere All at Once, Kwan/Scheinert, US
6) You Won't Be Alone, Stovelski, Macedonia
7) Vortex, Noe, France
8) The Eternal Daughter, Hogg, UK
9) Argentina, 1985, Mitre, Argentina
10) Official Competition, Cohn/Duprat, Spain
 
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KallioWeHardlyKnewYe

Hey! We won!
May 30, 2003
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Checking in at the almost halfway point of my marathon. Six down. Seven to go. If I make it.

Maniac.1934 mad scientist movie about a man who goes crazy and starts reanimating the dead. A little lewder, goes a little further than you expect a movie at the time to go. Some cool early days film tricks.

Black Sunday. Bava's creepy classic witch/possession tale. Rich black and white cinematography that lets it get away with a lot of gnarly stuff it otherwise probably couldn't. Good FX, the best of which is Barbara Steele's giant eyes. Love this movie

Mandy. I grow more impressed with this the more I see it. Lukewarm at first, I've now grown to full-blown adoration over a few watches over the years. As entertaining as the gonzo back half is with its spurting blood and comic book fantasy violence and coked-up Cage, it's the first half that really sticks with me — the efficient establishment of Red and Mandy's loving relationship, the creeping dread, the weird mood building, the horror of her death. Some truly psychedelic nightmare shit right along side some over-the-top nuttiness. Few movies can walk such a line.

They/Them. I always try to plan my marathons with a mix of American and foreign, fun and heavy, old and new. This was the new one I picked this year. A classic summer camp slasher set at an LGBTQ conversion camp is a rich idea. Unfortunately the clear message here drains the entire thing of any thrills or drama. It's obvious who's dead meat and who ain't. And why. That's not inherently bad, but you need something to propel this rickety machine and the choice here is some pretty cheesey team building crap. There's a singalong scene that's so cliche it's borderline offensive. The entire killer plot is set almost fully aside for 30-40 minutes. You could be forgiven if you forgot it was a slasher. Kevin Bacon brings some game energy to this at least.

Fascination. A thief decides to take refuge on a fancy French estate. Fortunately for him (maybe) the occupants are keen on him staying. They're having a gathering that night and he's the guest of honor. This is part of what I'll just call the "horny block." A touch of gauzy soft core amour with some good old fashioned blood lust. It's effective, um. On all fronts.

The Strange Case of Dr. Jekyll and Miss. Osbourne. The second half of the horny block. Polish madman's Walerian Borowczyk take on the classic Robert Louis Stevenson story of dual personalities. Udo Kier is our twitchy, bug-eyed good doctor who turns very, very bad. Mr. Hyde's violence is primarily sexual and knows no age or gender bounds. It's an artsy affair, despite the deadly thrusting member (no joke) that builds to a trippy climax.
 
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kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
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The Good N:urse (2022) Directed by Tobias Lindholm 5B

Tobias Lindholm has always been a better scriptwriter (The Hunt; Another Round} than director (A Highjacking; A War}, I wish he had written the script for The Good Nurse. Based on a true crime case (all the rage on Netflix these days), The Good Nurse focuses on Amy (Jessica Chastain) who begins to suspect that her colleague and friend Charlie (Eddie Redmayne) is killing patients on their ward. Amy is a single mom with two young daughters, and she is hiding a serious heart condition from the hospital administrators as she can't afford to be fired. Charlie is kind to her and helps out selflessly with the kids. But then suspicious deaths start to occur on her hospital ward and suddenly a lot of evidence seems to point to Charlie. Maybe LIndholm was going for quiet intensity here, but the movie is about as exciting as loitering in a hospital waiting room. It has the same look, as well. I'm resisting the temptation of joking that the movie doesn't have a pulse. What it does have is a very good performance by Redmayne and an excellent one by Chastain. They elevate the material as far as they can. But not far enough to deserve a recommendation.

Netflix
 
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shadow1

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Sinister (2012) - 7/10

An investigative novelist moves his family into the house of a former crime scene, and gets more than he bargained for after finding a horrifying clue in the attic.

Ethan Hawke stars as Ellison, a struggling writer who had a best selling book a decade ago. Trying to reignite his star, he moves his wife Tracy (Juliet Rylance) and two children to a small town house where a family was mysteriously killed. While investigating this crime, Ellison comes across a box of Super 8 films that may provide clues to what happened, but also turn his world into a nightmare...

Sinister was written and directed by Scott Derrickson, who previously directed horror films like 2000's Hellraiser: Inferno (one of the my favorite Hellraiser movies), and later went on to make Doctor Strange (2016) and The Black Phone (2021). I thought Derrickson did a great job behind the camera, with good pacing and unique visuals. Apparently, so did many others - a 2020 study that monitored viewer heart rate deemed Sinister the "scariest movie ever".

I don't know about scariest ever, but Sinister definitely has good tension and scares. Much of the movie involves Ellison sitting in a dark room watching creepy Super 8 films. Because the audience is also sitting in a dark room watching this creepy film, I found Sinister to have a unique sense of immersion. We're in Ellison's shoes, seeing what he sees, and it almost feels as if you're the main character in parts of the movie.

Sinister does rely on jump scares a lot, which I'm generally not a fan of. Fortunately, most of the jump scares felt earned because this film does such a good job building tension. There's very little violence in the movie, and it could potentially be a more tame horror movie to show young adult audiences to get them into the genre (a "gateway" movie).

Though I found Sinister to be very good overall, I don't think the film nailed the landing. Avoiding spoiler territory, I'll generally say that Sinister has a good mystery element throughout, but it felt like the audience was spoon fed narrative in the final 5 minutes, before the film ends in a somewhat abrupt fashion. The conclusion left me only partially satisfied, but your milage may vary.

Overall, Sinister is a very good modern day horror film. Ethan Hawke, who is in nearly every scene, carries the movie with a strong performance. Good tension and immersion make this a movie you'll want to watch in a dark room with your undivided attention. Sinister was a big commercial success, earning $82M against only a $3M budget.
 
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Satans Hockey

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Nov 17, 2010
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You're Next (2011) - 4/10

A family getaway turns into a nightmare when a group of men wearing animal masks conduct a siege on a vacation home.

You're Next stars Sharni Vinson as Erin, a student who joins her boyfriend Crispin (A.J. Bowen) on a weekend retreat in rural Missouri to celebrate his parents' wedding anniversary. Also attending this getaway are Crispin's three siblings and their partners, bringing the party total to 10. As they sit down to enjoy dinner, the party is viciously attacked by a group wearing animal masks. With communications cut off, the partygoers have no choice but to fight back...

Directed by Adam Wingard, You're Next is a low budget siege film in the vein of something like John Carpenter's Assault of Precinct 13 (1976). Made for only $1M, the film was successful commercially ($27M box office) and currently has a very respectable 6.6 rating on IMDB. I love siege films, horror films, and low budget films. Why didn't I like this?

The shaky cam. The stupid, stupid shaky cam. Unless I mistakenly watched this movie on a boat and not on my living room couch, this film has the most egregious shaky cam I've ever seen. It ranged from frustrating in some scenes, to unbearable in others, and at times included motion interpolation ("soap opera effect"). Even the calm scenes of this movie, the camera was unstable. People have been making movies for over a century and have been able to convey dread, horror, and tension just fine without using this terrible technique - which mostly just succeeds in giving the audience a headache.

I could make this whole movie's review about the camera not being steady, but I've made my point. As far as the plot goes, it was somewhat by the numbers. It was very easy to guess the film's "twist" early on, and once you do, it's just a waiting came for it to be revealed as the body count rises. I couldn't help but feel the movie could've been over in five minutes if either party (good or bad) had a gun. That's more of a nitpick, but once you find out the motivations of the antagonists, their methods aren't very efficient.

You're Next's characters were a mixed bag, as most of them were unlikable, and others were underdeveloped. One character has a survivalist background, but it feels underused; they don't do anything too special. To make matters worse, most of the characters are fairly dense, often splitting up with no weapons when they know the assailants are in the house. Hey, gotta get the bodycount up somehow, right?

Overall, You're Next was a frustrating watch. The seizure-style camera work flat out ruined the movie for me, and the predictable plot didn't help matters. Clearly I am in the minority as this film seems to be loved, so take this review with a grain of salt.

I wouldn't say I loved it, only saw it once and thought it was just a fun ride but sometimes that's all I'm looking for...

plus the kill with the blender was incredible lol
 
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shadow1

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I wouldn't say I loved it, only saw it once and thought it was just a fun ride but sometimes that's all I'm looking for...

plus the kill with the blender was incredible lol

I'm definitely in the minority on You're Next, I'm going to have to give it another chance in the future.
 
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Pink Mist

RIP MM*
Jan 11, 2009
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Subscribing to the Criterion Channel has been life changing for me. I am somewhat overwhelmed though by the sheer quantity of quality films. Takes me a long time to figure out what to watch next.

It's one of the two best streaming services for me (the other being Mubi). Many here in this thread willing to give recommendations for things to watch next!
 

Fiji Water

Registered User
Jan 16, 2004
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It's one of the two best streaming services for me (the other being Mubi). Many here in this thread willing to give recommendations for things to watch next!
Watched Pierrot Le Fou last night. Was like a jazz version of Bonnie & Clyde, and I enjoyed it immensely. Probably going to do a deep dive on Godard for the next week or so. Really looking forward to it! Have also been slowly making my way through their 80's horror collection which has been a lot of fun.
 

KallioWeHardlyKnewYe

Hey! We won!
May 30, 2003
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Wrapping up my marathon adventure. 24 hours. About 30 minutes of sleep (plus breaks to make my wife dinner and for an out-of-house meeting).

The Frighteners. I have a few nitpicks, but overall have a soft spot for this Looney Tunes-paced horror comedy from Peter Jackson just before he'd dedicate his life to LOTR. I actually learned recently this was originally envisioned as the third Tales from the Crypt-branded movie and I definitely see that vibe. FX hold up (and are a clear test run for some LOTR concepts the Nazgul in particular). Fun story with some game performances from Michael J. Fox, Jeffrey Combs and Dee Wallace in particular.

Tetsuo: The Iron Man. Never seen this cult. classic. Now I have. It is quite the experience and a solid bet to keep you awake at 5 in the morning with its punk rock and metal scraping soundtrack.

Anthroprophagus. Notorious Italian shocker that is actually pretty low key about 90% of the run time but has one scene in particular that earned it its reputation.

Cat People. 1980s one. This has been the last cut on my schedule a few years in a row now. Finally fit it in. Paul Schrader is a director I have a lot of time for. I love the original movie. Solid cast and yet ... found this to be a pretty tedious execution. Not particularly engaging or sexy. Could be that I was tired but I mostly just watched the time count down.

Cemetery Man. If Sam Raimi had the soul of a poet rather than the soul of one of the Three Stooges, this is the movie he might have made.

City of the Dead. Atmospheric 60s witchcraft creeper with Chrstopher Lee. Lots of fog. Hits its vibe well. Entertaining despite a few lame characters.

Bubba Ho-Tep. I actually intended to end on a certifiable classic but the one I was hoping to revisit disappeared from streaming services unbeknownst to me in the past few days. So I made a wildly unrelated audible to this, which I'd been wanting to rewatch for a while now. A lot of silly gags that made me laugh. Bruce Campbell says pecker a lot.

And now we sleep.
 

Mr Jiggyfly

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Jan 29, 2004
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satanslittlehelper_2.jpg


It’s my annual Satan’s Little Helper (2004) review challenge.

So far in five years we have one poster who got through the entire film.

Many believe themselves bold enough to take on the challenge, few get beyond the shopping cart scene…

Do you hate yourself enough to push through?
 
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kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,872
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Toronto
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Nostalgia (2022) Directed by Mario Martone 5B

Italy's entry into this year's Academy Award sweepstakes is a gorgeously photographed film about Felice, a guy one really doesn't feel the need to spend much time with. Expertly shot in ugly/beautiful, Naples, Nostalgia tells the sad story of a man who returns from his adopted home in Cairo where he has spent the last forty years to his aged mother and to the city and neighbourhhood that he never got out of his system. He is full of guilt and regret over his neglect of his mother and over his past when he was an unfortunate accomplice in a major crime. Turns out his former best friend and now crime boss holds a few grudges and doesn't share his nostalgia for the past. It leads to a very predictable, highly telegraphed ending.

Thomas Wolfe's assertion that you can never go home again rests morosely on this theme-heavy movie. Regret, redemption, self-acceptance, self-loathing, all get trotted out for lugubrious observation. While Felice is well-acted by Pierfrancesco Favino, the character simply comes across as needy and self-deluded. As his former friend, now dangerous enemy, points out, "nobody wants you here." Which is clearly the case. And yet he persists, a big bundle of remorse and Catholic guilt. The fact that Nostalgia is a very slow burn doesn't help matters either. Perhaps in a different mood I would have liked this movie more, but Felice wasn't that interesting and he did little but try my patience.

subtitles
 
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kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,872
11,143
Toronto
satanslittlehelper_2.jpg


It’s my annual Satan’s Little Helper (2004) review challenge.

So far in five years we have one poster who got through the entire film.

Many believe themselves bold enough to take on the challenge, few get beyond the shopping cart scene…

Do you hate yourself enough to push through?
I took the challenge and enjoyed it.....until the third act when it really ran out of ideas and money. Too bad, because it was a wickedly sly piece of business until then.
 

Mr Jiggyfly

Registered User
Jan 29, 2004
34,436
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I took the challenge and enjoyed it.....until the third act when it really ran out of ideas and money. Too bad, because it was a wickedly sly piece of business until then.

Your intrigue… intrigues me.

How would you rate Satan’s Little Helper against The Gingerdead Man (2005).

Don’t forget to score on the Gary Busey scale for fairness sake.

A1HHvYpflRL._RI_.jpg
 
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kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,872
11,143
Toronto
satanslittlehelper_2.jpg


It’s my annual Satan’s Little Helper (2004) review challenge.

So far in five years we have one poster who got through the entire film.

Many believe themselves bold enough to take on the challenge, few get beyond the shopping cart scene…

Do you hate yourself enough to push through?

Your intrigue… intrigues me.

How would you rate Satan’s Little Helper against The Gingerdead Man (2005).

Don’t forget to score on the Gary Busey scale for fairness sake.

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Gimme a few hours.
 

kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,872
11,143
Toronto
The Gingerdead Man: no comparison whatsoever, this one is half-baked.

Something good came out of this misbegotten exercise, though. I originally typed in The Gingerbread Man by mistake and discovered a Robert Altman movie with a great cast that I never knew existed.
 

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