T REX
Registered User
- Feb 28, 2013
- 12,221
- 9,791
I'm in the bag for Carpenter so I may be too kind. Wouldn't push back on anyone who thinks it is hot trash though.
Prince of Darkness is one of his best films and underrated.
I'm in the bag for Carpenter so I may be too kind. Wouldn't push back on anyone who thinks it is hot trash though.
8 Mile (Hanson, 2002) - I have great respect for Eminem, but for some reason stayed away from this movie. A lot more down-to-heart than I thought it'd be, with characters that are pretty dumb and hard to follow. Not bad. 4.5/10
Something Borrowed (Greenfield, 2011) - New deal with the gf where she will select a movie/week or so. Absolute garbage. 1.5/10
I also saw Midsommer recently but didn't write a review. Visually it is a treat, the Swedish setting is seducing; but there isn't much under the surface despite director Ari Aster teasing themes regarding grief and trauma which makes the opening of the film particularly sadistic as it doesn't have much meaning in relation to the rest of the film - you take it out and not much changes
Also as a Finnish(-Canadian) person and as someone who once dated an anthropology graduate student, I must reiterate: never trust Swedes and never date anthropologists
I wouldn't call it a great film as I don't think it has much - if any - replay value but it's easily the most primal experience I've experienced at a cinema. My wife and I were so shook afterwards we had to drink a couple of whiskeys in a dive right after walking out.
Prince of Darkness is one of his best films and underrated.
There's a few rappers I enjoy! Mainly the ones that can work with speed and words, and scarlxrd too just for his sound.I have no idea why, but I'm flabbergasted you enjoy Eminem. Wouldn't have thought.
Moonfall (2022) - 4/10 (Disliked it)
We have opposite takes on Midsommer that I remember as just being sadistic with no redeeming features, but more curiously on We Need to Talk abput Kevin which I think I responded to when it first came out with one of my major-league rants for overstylized wretched excess and a 3A score (plus I thought a coup[le consisting of Tilda Swinton and John C. Reilly was too yucky and incongruous to even think about). You certainly have gone much more deeply into the theme than I did. I vaguely remember Kevin as bringing a lot of evil nature to the table, but your take provides a different slant to think about.
By the way, I loved Lynne Ramsay's direction in You Were Never Really Here which also contains what I consider to be Joaquin Phoenix's best performance.
Yeah, it felt kind of odd honestly. It added something to the movie for sure, but given the outcome of Pugh's character the rest of the way and the immediacy of the events right after that, it felt out of place. The most obvious reasoning for it was to foreshadow the conclusive reasoning/the big picture rather than actually set a mood for the proceeding movie and events to come.I also saw Midsommer recently but didn't write a review. Visually it is a treat, the Swedish setting is seducing; but there isn't much under the surface despite director Ari Aster teasing themes regarding grief and trauma which makes the opening of the film particularly sadistic as it doesn't have much meaning in relation to the rest of the film - you take it out and not much changes
Also as a Finnish(-Canadian) person and as someone who once dated an anthropology graduate student, I must reiterate: never trust Swedes and never date anthropologists
That's a good way of putting it.I wouldn't call it a great film as I don't think it has much - if any - replay value but it's easily the most primal experience I've experienced at a cinema. My wife and I were so shook afterwards we had to drink a couple of whiskeys in a dive right after walking out.
Man was this ever a piece of crap. Think 4/10 is even being a little generous. The acting and writing are awful, some of the worst I've seen in a contemporary big budget film. It's an interesting premise they just decided to throw money at and I agree the CGI was really only its redeeming quality. A total failure at providing the movie parts of a movie.
Class of 1984 (1982) -
Wife was on vacation and kids were doing their thing. So I had a day all to myself and since my back was injured, figured I’d do some lazy morning film watching (my favorite kind of course).
Came across this uh… interesting piece of 80s nostalgia.
Class of 1984 can best be described as The Principal meets Beat It, with an opening act by the Sex Pistols.
With acting that would make Death Wish fans roll their eyes, I could only get about 15 minutes in before I was pining for the likes of Satan’s Little Helper.
When you have lines like “I’m gonna carve me some white meat”, and a mop top Michael J Fox lighting up a doobie in the school bathroom, you just know these toughs are gonna make the new teach pay - in blood!
Final words of wisdom - watch Class of 1999 instead.
I’m in the minority I’m sure, but Tokyo Drift is the only one I go back and rewatch again and again.I finally caught up to some of the blockbusters from last year, and just what happened with the Fast and Furious series? I remember I wrote after the eighth one that the whole franchise jumped the shark, because it no longer resembled the original, and I believe an idea can do that, but not many here agreed with my definition. Now, after F9, I will stick with my definition.
For full disclosure, I basically quit the franchise after Tokyo Drift, and only went back with the 8th one, so I have no idea when the franchise changed from drag race crime action movies to a superspy series. To be fair, it was probably a smart decision, because the original movies were not that good to begin with anyways, and the box offices now far exceed the original movie, but when the cars can now drive in space, and they use scuba suits as space suits, there can no longer be any denial that the franchise has gone off the rail. The notion is so ridiculous, that no amount of suspension of disbelief can make it work, and while it could be argued that I was premature in my assessment after The Fate of the Furious, I am now fully convinced that the franchise has indeed jumped the shark, perhaps even long before what I had stated.
It actually reminds me of the Bond series, since this is clearly what Vin Diesel and the studios want to emulate, and both are plagued by the same problem. At times through the Bond franchise's history, there had been moments when the movie got too ridiculous, like when Moore's Bond too went to space and had a space laser fight in Moonraker. The Bond series producers, though, are able to see and recognize it quickly, and they always pulled back, either with a actor change, or just go back to the tried-and-true formula established in the first couple of movies. That has allowed the franchise to stay alive, and not become a parody of itself.
While the Fast and Furious series has remained profitable, it is at that same point now where it has to either pull back, or just straight up end. Personally, I wish it will just end, because the whole thing has become a monstrosity with its own spin-off of equally terrible B-movie scripts with A-movie budget, but I do understand that people would not mind a mindless big budget action flick every two years or so that allows for over 2 hours of mental escape. I just wish in the 10th one, which is rumoured to be the last one of the main branch, and all the subsequent Hobbs & Shaw sequels, they will just pull back and let it be a tiny bit more grounded in reality. The whole thing has become so dumb, that I am actually distracted by it.
I will give this one 3/10. The action is decent enough, but it is just so dumb, which is exacerbated by the constant recon of the character's backstory. I will not be surprised if the Toretto family suddenly has another sibling no one knew or ever talked about in future movies, or someone suddenly escaped death and come back to life.