I was trying to remember when writing that post let me look at the tracks....Ah it was track one Cowboys in Hell.
Bass player. Was a fun metal band back then but a little behind the curve on the thrash genre and its life span. We definitely were the best metal band in the DC/Baltimore area for a few years. Got to record a three demo of at Pyramid Studios in Ithaca NY with Alex Perialas (he was instrumental in coming up that the thrash metal guitar sound especially with Anthrax/Stormtroopers of Death.
My last band/project was the most successful was more heavy rock. Signed to an indie label, recorded a real pro album and even filmed a video (both ended up never getting released due to the label farsically not able to come to an agreement with a distributor for a few years. Got to play at CBGBs a couple of times before it went away. About the only venue we didn't get in in the DC/Baltimore area with the new 9:30 club.
One of the tracks from that unreleased album:
Man trying to remember if I ever saw Egypt or not. My first foray to the Bayou was in '87 to see Megadeth (Peace Sells album tour) and Overkill (taking over). Was underage so my dad, who worked in DC, went down during the day and talked to the club manager and managed to make a deal with her that we could get in for the show (my dad had to come also). Definitely one of the peak cool dad moments. Still have ticket stub. And the show was bad ass. Tbh my bro and I were more into Overkill than Megadeth.
Ran into the main guitar player of Overkill in '91 Foundations Forum in LA (was the biggest metal/rock thing like SXSW is now) and totally fangirled on Bengt Gustafson (believe that was his name). Also talked with Alice and Chains drummers for like an hour completely wasted I have no recollection of the conversation at an invite label thing. Best thing was seeing Pearl Jam play like acoustic version of tracks from the album Ten before it came out in a label booth. Both my singer and I after a couple of songs looked at each other and said these guys SUCK, hah.
Very cool. I'd like to hear Silence if that's anywhere.
I've done a lot of different projects from Techno/Industrial/Dance to rap to Zappa-esque parody to Grateful Dead style/cover and everything in-between. Some online, some not. A Cro-Mags cover went to Harley and he was impressed. Kerry King was played our tape and he dug it. But beyond little shit like that we never really promoted or hired managers, etc. and only stuck together for a few years due to craziness.
Here's some of what I have on Spotify:
That's the name of the power trio from the 90s. Yes it's a real band name lol.
Songs 3-6 are from a 3rd generation cassette tape so the quality is sus. The others are me playing every instrument/vox and recorded in my "studio" a little over a decade ago. Someone else put it on Spotify because it wasn't really available anywhere and they thought it should be, so I just said "whatever" and approved it. Hence the album title. Very Gen X, I guess.
The 90s trio broke up due to misc Spinal Tap reasons. I would say we were influenced by a lot of shit, but for me it was Kyuss in particular. We covered Sepultura, Prong, White Zombie, AIC, Nirvana, Korn, etc.
Here's another solo thing from a few years ago that's even heavier, or at least faster. Kind of taking the piss out of all the over the top death metal imagery. Just for fun:
"Laughing Burning Witch" is the one to play if you only listen to one.
Haven't recorded anything in a long time. Life gets in the way now.
This can all move to OT if needed, of course.
But to bring it back on topic, google "Pummeler Ovechkin" for another one. I think Ovie commented on the song back in the day. Can't post the link here because the album art is very NSFW and the lyrics are also EXTREMELY NSFW. lol