OT: The Music Thread Part 7

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I posted this one a while ago, it's been a grey week here in Maine



Let's make a deal. Within reason, perhaps we can revisit favorite artists and songs already posted.

I am guilty of reposting stuff I suspect may have gone under the radar because, a] you guys might have missed it, and/or b] you don't like it. Which is probably the case.

C'est la vie, mon ami.

Deal?

 
We all like what we like.

This is as far as I ever went with DL.

PS Much credit for sticking with their drummer when he lost an arm in an accident (sic).

 
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Yes, she's annoying, but I'm workin' a theme, people,









This has nothing to do with my lil' theme show, though with weather like this, you might want to spend your days in bed.

I just discovered whilst looking for another video. It's fantastic, reminding of Richard Linklater's Waking LIfe,


Don't blink or you'll miss long time Beatles publicist Derek Taylor & manager Brian Epstein,

 
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Santana

Black Magic Woman


Evil Ways


Smooth


Gratuitously violent but one of my favorite "buddy movies," starring Samuel L. Jackson (Pulp Fiction) and one of my very favorites, Massachusetts native Geena Davis (Earth Girls Are Easy, The Fly, The Accidental Tourist -- for which she won a best supporting actor Oscar -- A League of Their Own, Thelma and Louise), directed by then husband Renny Harlin,

The Long Kiss Goodnight (1996), featuring

 
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(Ed. Note:

("Are we there yet? I mean, have we arrived at that tipping point? These kids have never known a world without IT, and they will never know a future without AI.

("It's scary as f***."

("The answer to your initial question is, of course, yes.")

As Einstein, who reluctantly assisted in the creation of the bomb, said upon successful testing of same in Los Alamos, NM, "Technology of this kind, or any kind, is like handing a three year old a razer blade."



At the other end of the spectrum, produced by Daniel Lanois, also from 1991's Achtung Baby,

 
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(Ed. Note:

("Are we there yet? I mean, have we arrived at that tipping point? These kids have never known a world without IT, and they will never know a future without AI.

("It's scary as f***."

("The answer to your initial question is, of course, yes.")

As Einstein, who reluctantly assisted in the creation of the bomb, said upon successful testing of same in Los Alamos, NM, "Technology of this kind, or any kind, is like handing a three year old a razer blade."



At the other end of the spectrum, produced by Daniel Lanois, also from 1991's Achtung Baby,



Meh. I know I'm going to sound like the stereotypical "I listened to them before anyone else did" music snob (which really, I'm not. Or, maybe sometimes. Well, most of the time.), but I much prefer the Steve Lillywhite years. His body of work, with U2 and others, just speaks to me. Not that I hate The Joshua Tree, it's one of the single most important albums of the last 50 years. However, I find it telling that when the album first came out, I put Red Hill Mining Town on a loop (isn't Side 2, Song 1 of most albums always excellent?), for it was and still is my favorite U2 song. I only found out later that it was the only song on The Joshua Tree produced by (you guessed it) Steve Lillywhite.
 
As someone who has always loved the idea of women playing the bass (Amee Mann, Suzy Quatro, Tina Weymouth, Kim Gordon), being it is an instrument even more dominated by the old boys club than the guitar, a woman in overalls playing an upright double bass is off the charts.
Carol Kaye was in the Crew and made so many Good Vibrations







Carol and Campbell

 
Meh. I know I'm going to sound like the stereotypical "I listened to them before anyone else did" music snob (which really, I'm not. Or, maybe sometimes. Well, most of the time.), but I much prefer the Steve Lillywhite years. His body of work, with U2 and others, just speaks to me. Not that I hate The Joshua Tree, it's one of the single most important albums of the last 50 years. However, I find it telling that when the album first came out, I put Red Hill Mining Town on a loop (isn't Side 2, Song 1 of most albums always excellent?), for it was and still is my favorite U2 song. I only found out later that it was the only song on The Joshua Tree produced by (you guessed it) Steve Lillywhite.

Well, two for the seesaw.

I'm not that into U2.

I actually liked a lot of their earlier stuff, the Steve Lillywite stuff.

And heresy of heresies, though clearly one of the best albums of the 1980s (which reminds of the 80s but doesn't sound like typical 80s, and has aged well), The Joshua Tree is not a personal favorite. Achtung Baby is a great record, which, to me, was ahead of its time. Brian Eno co-produced. Surprise.

"One" is top five for me, and, again, "Even Better Than the Real Thing" predicts the culture we live in, or with, today. And that was over 30 years ago. A smashing great song, very well produced, alongside a cool video.

But, we like what we like. More than any of their recordings, I'm still partial to Under a Blood Red Sky, for various, illogical reasons.

"To each his own, Number One."
 
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