Halloween: The Curse of Michael Myers (1995) - 5/10
Michael Myers, now allied with a cult, searches for the newest member of his bloodline.
Halloween 6 stars Paul Rudd as Tommy Doyle, one of the children Laurie was babysitting in 1978. Now obsessed with finding Michael, Tommy comes into possession of a baby with familial ties to the boogeyman. Seeking help, he reaches out to now-retired Dr. Loomis (Donald Pleasance), as well as neighbor Kara Strode (Marianne Hagan), a relative of the family who adopted Laurie.
Unfortunately for the trio, Michael isn't alone this time - The Cult of Thorn and the mysterious Man in Black have a vested interest in Michael's success...
Before I continue, I must address the fact that this movie has (2) versions. In the late 1990's, back when we were browsing Halloween Geocities fan pages, rumors about a Halloween 6 "Producer's Cut" emerged online. VHS bootlegs eventually became available, but fortunately in the year 2022 this "Producer's Cut" is now readily available in crystal clear HD. Here is a spoiler-free rundown of the differences:
- The Producer's Cut is a much more coherent film. The plot makes more sense, the pacing and editing (and at times, cinematography) are dramatically better, and we get traditional Halloween music. Story wise, we get more of "stalker" Michael, more screen time for Donald Pleasance, and more of an emphasis on the Cult of Thorn. The ending is completely different, as are several kills in the film.
- The Theatrical Cut is a film is a mess. Scenes are heavily trimmed down, which creates needless plot confusion. The movie relies heavily on terrible jump cuts, accompanied by the sound of a knife slashing. The score has a heavy metal vibe to it, which doesn't work that well. It's almost like they put the Producer's Cut into a computer, wrote some type of code to "make the movie scary", and this is what came out. Story wise, we get a more brutal Michael, much less screen time for Pleasance, and less emphasis on the Cult of Thorn.
So, which is the better film? In my opinion, it's undoubtably the Producer's Cut, but it's not the holy grail Halloween fans may have led you to believe. It leans more heavily into the plot, but when said plot is a flaming roll of toilet paper, that's not necessarily a great thing. Additionally, the ending is a letdown. After a decent first 90% of the film, the film comes to an anti-climatic finish that is laughably bad at times.
On the flip side, I really enjoy the ending of the Theatrical Cut. This ending was completely re-filmed and has a haunted house vibe. Michael (George P. Wilbur earlier in the film, Brad Harin during this reshot footage) is at possibly his most violent of all time, going on a complete massacre while hunting the protagonists. This ending has a rough final 5 minutes though, and there's definitely too much flashing on the screen during this sequence (epilepsy warning).
Add it all up, and what do you get? A mess, that's what. There is a decent film in there somewhere I think. Replace the Producer's Cut ending with the Theatrical ending maybe? But hey, at least they got the Michael Myers mask right - it's easily one of the best in the series.
Overall, not a great entry. I think I enjoy it more than most, but no matter which version you watch, you're going to witness some serious problems. RIP Donald Pleasance, who passed away unexpectedly when they were doing re-shoots for the eventual Theatrical Version.
Halloween H20: 20 Years Later (1998) - 5/10
20 years after his attack on Haddonfield, Michael Myers hunts down his sister.
Jamie Lee Curtis returns as Laurie Strode, who's relocated to Summer Glen, California. Living under a new identity, Laurie (now Keri) is the Headmistress of a private boarding school that her son John (Josh Hartnett) attends. Laurie is tormented by visions of the 1978 attack, and has developed a nasty drinking habit to go along with her not-so-great personality. She's not completely crazy though, as Michael has caught wind of her identity change and is making a special cross country trip to see her...
Halloween H20 was directed by Steve Miner, who earlier directed Friday the 13th Part II & III. John Carpenter was in talks to direct, but priced himself out. The story was written by Robert Zappia and Scream's Kevin Williamson, and removes Halloween's 4-6 from the timeline. This wasn't the original intention, but they wrote out references to Jamie and the Thorn Cult during filming. Speaking of which, Williamson spent lots of time on set to help with various story and dialogue changes.
It's important to mention Williamson's involvement because Halloween H20 - or as many fans call it, HalloScream - is a blatant rip off of the Scream films. How so? The film starts with a shocking and bloody opener like Scream, uses the score from Scream throughout, the movie poster looks like Scream, Scream 2 plays on the TV at one point, there are Scream Easter eggs peppered throughout, and it has an ending similar to Scream.
One thing the two films don't have in common is quality, as Halloween H20 is mediocre. After the opening scene, we basically get an hour of Laurie acting like a functioning basket case and straining her relationship with her son, until the final 20 minutes where the movie decides it wants to be a horror film again. H20's lack of body count during the bulk of the run time is made up by several fake out jump scares, with characters constantly startling each other on accident. The side characters are also pretty bad, the most prominent of which being LL Cool J as a Security Guard with aspirations of being an Erotic Novelist (what...?). There is a small role from Janet Leigh that is kinda cool, though.
Michael Myers has possibly the worst look of all in this one. He wears a whopping (4) different masks, including one made from 1990's CGI. He starts off with the Halloween 6 mask, but quickly shifts to the other masks. These other masks are bad and seem to change constantly, even within the same scene. What a travesty.
Halloween H20 does end on a strong note fortunately. Though I don't think the film's finale is scary or even that great, it's at least a crowd pleaser, with Laurie and Michael in an extended mono a mono battle.
Overall, this one isn't for me. I've seen it many times, but don't rewatch it often. Every time I do watch it, I always hope I'm going to see something new in it, but never do. We get way too much Laurie and not enough Michael in this movie, and that's the bottom line. Halloween H20 cleaned up at the box office ($55M against a $17M budget), and as far as I'm concerned that's this film's legacy - a cash grab, trying to ride the coattails of Scream.