Movies: Last Movie You Watched and Rate it | {Insert Appropriate Seasonal Greeting Here}

[Nakatomi]

Well I was curious enough and passed a deal with the gf to watch 2 films, each of us choosing one. Thanks for the recommandation, it was nominated for Academy Awards, but I had never heard of it.

Mrs. Harris Goes to Paris (Fabian, 2022) - Shameless "feel good" movie about poor people daring to dream of luxury. 2h advertisement for Dior and the picture perfect progressive European culture of the 50s. Good luck not throwing up in your mouth watching this. It does have Isabelle Huppert*. 2/10

Looking for Mr. Goodbar (Brooks, 1977) - What a weird little piece. Narratively, it's a mess, especially in the first few minutes of the film. You get used to its weak storytelling and editing, but it's certainly not a nice film, in any sense of the word. Great cast, and amazing performance by Keaton. It's unique enough to be enjoyable, despite its reactionary bleakness. The source material was written by a woman (and wikipedia tells me she "detested" the movie), I don't know if she too flirted with misogynistic undertones, but here it doesn't always (nor often) feel like its part of a critical reflection. 4.5/10


*Kind of ironic seing this the day after The Substance, as Huppert was famous for being superbly picky about the projects she'd accept to appear in, now at 69 y/o doing this shit (she still looks to only pick very particular projects, a luxury that's probably rare for an actress her age, so probably just a brain freeze when she signed for that one)

You know, reflecting back, had I waited a few more days to rate, I'd have had Mr. Goodbar more in the 5.5 or so range. I just didn't see the final scene playing out quite as it did and I felt it was pretty powerful. But that alone should not skew the overall perception of, as you put it, something so narratively messy.

Still something I'd recommend for people to see once since it really is something a little different.

 

[Pranzo Oltranzista]

You know, reflecting back, had I waited a few more days to rate, I'd have had Mr. Goodbar more in the 5.5 or so range. I just didn't see the final scene playing out quite as it did and I felt it was pretty powerful. But that alone should not skew the overall perception of, as you put it, something so narratively messy.

Still something I'd recommend for people to see once since it really is something a little different.

100%. I myself could be tempted to push it at 5/10. It weirded out my gf for days, so it's highly efficient in its questionable intentions.

 

[Babe Ruth]

Cinema Verite (2011)

The story of what's considered America's first reality show ('An American Family'). It recreates the path to getting this reality show on TV, and how it impacted American culture in 1973.
Good scene where the producer fights with his film crew.. that distills the pros and cons of filming real life, for mass entertainment.
I watched it on DVD, but I think it streams on HBO Max.

 

[KallioWeHardlyKnewYe]

Emilia Perez. My summation of this movie sounds like a movie I would like very much -- a Don Winslow/Narcos story grafted on to a Baz Luhrmann-on-downers style musical backbone. But I really didn't. It's not quite a talk-singing musical (which I struggle with save for one major historic exception) but it's also not a full-blown showstopper musical either. It kinda walks the line between both. Mostly "grounded" but with moments of flair. Some people can sing, which gives that classic feel, but others clearly can't, which is that "grounding." But it all just felt like a mess to me and it became all the more messy in the second half which largely abandons the musical gimmick of the first. I would have at appreciated the big swing if they committed entirely to the bit, but they don't.

The bigger problem for me though was that these characters meant nothing to me. Its a real tell, not show movie. The journey depicted here – a violent Cartel leader transitions to become the woman they've always felt they were – feels like it should be meaningful and resonant but the first thing we know about the character is the stated desire to transition. There's a little surprise in that concept but we know so little about the before that the after never really grabs me, especially when it comes to the relationship with her wife and children. The early parts are largely focused on the lawyer (Zoe Saldana) who is recruited to facilitate this change and while those numbers are when the movie has the most life, this character feels like they're just along for the ride in the second half. Her character development is that she looks frumpy early, but eventually becomes the beautiful and glamours Zoe Saldana. So there's a weird misbalance here too that also does nobody any favors ... whose story is this? Emlias? The lawyer?

There is a really interesting idea here about redemption. Emilia seeks to atone for her violent past by forming an organization to help find people missing (i.e. dead) because of the violence in the country. I feel like THAT is potentially the good movie here. But there isn't enough of it.

This is a movie that just refuses to make decisions and ends up as a hodge-podge of half-assed style and ideas.

 

[AtlantaWhaler]

Got around to watching Venom 3 (4/10) the other day. Was about as expected. Not much going on other than good battle scenes. I did bring my younger son and his friend who liked it. From a comic geek side, the biggest negative is Sony wasting Knull. In general, over the last several years in the comic books, he's become the "Thanos-type big baddie". He shouldn't have been in a Sony/Marvel movie which as history has told us, is a complete waste. He deserved a big build up and had none, here. Overall, it was an OK time killer, but nothing more.

 

[Unholy Diver]

Got around to watching Venom 3 (4/10) the other day. Was about as expected. Not much going on other than good battle scenes. I did bring my younger son and his friend who liked it. From a comic geek side, the biggest negative is Sony wasting Knull. In general, over the last several years in the comic books, he's become the "Thanos-type big baddie". He shouldn't have been in a Sony/Marvel movie which as history has told us, is a complete waste. He deserved a big build up and had none, here. Overall, it was an OK time killer, but nothing more.

How old were the kids? I take my 7 y/o to a fair bit of PG13 stuff and she has seen most of the Spiderman movies and stuff like Blue Beetle and the Flash, but I thought this one might be a bit much for that age