Movies: Last Movie You Watched and Rate it | {Insert Appropriate Seasonal Greeting Here}

ItsFineImFine

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Aug 11, 2019
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Man Hunt (1941) - 6.5/10

I think Fritz Lang extends this film by half an hour longer than it needs to be and the better bits don't build on each other. The better bits being suspense, this had the potential to be a tight noir thriller albeit with a really stupid silly premise and some wartime propaganda.

But the worse thing is Joan Bennett trying to do a cockney British accent. Not like there was a lack of British actors around at the time.
 
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Babe Ruth

Looks wise.. I'm a solid 8.5
Feb 2, 2016
1,595
697
Cryptozoo (2021)

An adult, animated story about surreal, mythical animals/cryptids and the people who care for them and encounter 'em.
The artwork is interesting and psychedelic.. reminded me of stories you'd see in '7os Heavy Metal magazine.. or basically a graphic novel projected on a movie screen. But the story was pretty thin.
Unique, but not very entertaining (my opinion). May be one of these movies I'd appreciate more on a re-watch. Currently on Hulu.
 
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Rodgerwilco

Entertainment boards w/ some Hockey mixed in.
Feb 6, 2014
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There's a bit of foreshadowing in terms of Fletcher's last protege taking his own life.

In an interview with director Damian Chazelle:



Excellent comment here, thanks for the extra added insight into the film from the director himself. Admittedly I had a much more positive idea of what happens after that. In my head Andrew used that moment of exposure and the intense level of training inspired by the brutal lessons from Fletcher to catapult himself into the upper echelon of jazz musicians.

I guess I'm a glass half-full kind of guy, lol.
 
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NyQuil

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Jan 5, 2005
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Excellent comment here, thanks for the extra added insight into the film from the director himself. Admittedly I had a much more positive idea of what happens after that. In my head Andrew used that moment of exposure and the intense level of training inspired by the brutal lessons from Fletcher to catapult himself into the upper echelon of jazz musicians.

I guess I'm a glass half-full kind of guy, lol.

It is certainly open to interpretation, and I think most directors like to leave it open for discussion.

What was striking to me about that scene was Paul Reiser's reaction (as Andrew's father), which was less about paternal pride and admiration and more about awe, shock and some degree of horror.

Andrew's father was a passive counterpoint to Fletcher's domineering Alpha male, someone that Andrew was embarrassed of and yet seemed to be quite content and happy with his life.

By contrast, when Fletcher was ultimately fired, he is encountered at a bar, alone.

One way to look at the film is a bit of a tug of war between the two archetypes, with Fletcher ultimately emerging victorious as Andrew casts aside his relationship, friends and family in pursuit of musical immortality.
 

shadow1

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Nov 29, 2008
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Around the World in 80 Days (2004) - 5/10

A British inventor, Chinese valet, and French artist attempt to travel around the world in 80 Days.

Jackie Chan stars as Lau Xing, who robs the Bank of England of an ancient Chinese artifact. While eluding authorities, he crosses paths with inventor Phineas Fogg (Steve Coogan), who is in need of a valet and someone to assist him with his experiments. Not wanting to be arrested, Lau Xing takes the job, giving the false name Passepartout. During a meeting at the Royal Academy of Science, Fogg is challenged by a colleague to travel around the world in 80 days. Lau Xing and Fogg set off on this adventure, picking up an aspiring French artist (Cecile de France) along the way.

Around the World in 80 Days was directed by Frank Coraci, and is based on the Jules Verne novel of the same name. The film is one of many adaptions of this novel, with the most famous adaptation being the 1956 film, which won 5 Oscars. This adaptation reworked elements of the plot to give the character Passepartout a bigger role, a decision Coraci made after casting Jackie Chan and the belief the novel didn't have a true main character. What happens when you add famous action star Jackie Chan to a Disney-backed adaptation of a classic novel?

The movie equivalent of oatmeal, apparently. Around the World in 80 Days, a film that should feel grand in scale based on its plot, comes off feeling extremely generic. The film doesn't bask in the beauty of all of the places our characters visit and doesn't even feel particularly line a journey at all. It comes off as more like a series of vignettes set to different backdrops, with each subplot fluctuating greatly in entertainment value.

Around the World in 80 Days is very heavy in comedic tone, but the humor is of the low hanging fruit variety - and is usually accompanied by music that sounds like someone slipped on a banana peel. Frankly, it comes off as more annoying than funny. The only part of the movie which I found humorous was a section featuring Arnold Schwarzenegger (in his final pre-political career role) as an Istanbul Prince. Arnold's wig and performance are so over the top that it's extremely entertaining, and honestly helped me refocus my attention on the film after a very dry first 45 minutes.

In addition to Arnold Schwarzenegger and like the 1956 film, this 2004 Around the World in 80 Days adaptation includes a plethora of cameos, including Kathy Bates, Sammo Hung, Owen Wilson, and Daniel Wu. There are so many cameos it's arguably the most entertain part of the movie, as you never know who will turn up next.

Finally, as this is a Jackie Chan film, I must mentioned the action: it's nothing special. There's a moment here or there that are fun, but the film is light on action in general, and there are certainly no big stunts or grand fight sequences worth mentioning. The filmmakers were shooting for a family movie with sprinkles of Jackie Chan, rather than making his unique skills the focal point. This was definitely a mistake, as the film doesn't have enough plot, visuals, or comedy to give the audience a consistently entertaining product.

Overall, Around the World in 80 Days is a mediocre adaptation. The 1956 adaptation, though it won multiple Oscars, has a bit of a reputation as being one of the weaker Best Picture Winners. However, that reputation is much better than the one this 2004 film has, which is as the biggest independently release box office flop of all time. Made independently under the Disney group, Around the World in 80 Days had a budget of $110M, but only grossed $72M worldwide, including a meager $24M in the United States and Canada. It seemed Jackie Chan's star was fading a bit around this time (even this diehard fan didn't watch this movie when it came out), and following this film Jackie would return Hong Kong productions after a three year hiatus.
 

NyQuil

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I haven't seen David Tennent's leading television adaptation of 80 Days, but I'm curious whether a series is preferable to a movie because you can get more invested with the characters.
 
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Rodgerwilco

Entertainment boards w/ some Hockey mixed in.
Feb 6, 2014
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It is certainly open to interpretation, and I think most directors like to leave it open for discussion.

What was striking to me about that scene was Paul Reiser's reaction (as Andrew's father), which was less about paternal pride and admiration and more about awe, shock and some degree of horror.

Andrew's father was a passive counterpoint to Fletcher's domineering Alpha male, someone that Andrew was embarrassed of and yet seemed to be quite content and happy with his life.

By contrast, when Fletcher was ultimately fired, he is encountered at a bar, alone.

One way to look at the film is a bit of a tug of war between the two archetypes, with Fletcher ultimately emerging victorious as Andrew casts aside his relationship, friends and family in pursuit of musical immortality.
Excellent analysis as always, NyQ. I prefer to keep my rose-tinted glasses on and assume Andrew is playing in the most prestigious jazz band n the world at 30 instead of dead with a stomach full of pills. lol


I had a similar idea of the idea of Andrew's father as a great counter to Fletcher. Andrew's father seemed to diminish his accomplishments and musical ability, focusing more on his brothers and their athletic endeavors. Whereas in the events of the film, Fletcher was focusing almost solely on Andrew's performance, no doubt due to his already incredible talent.
 
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Hoverhand

Barry Trotzky
Dec 6, 2015
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Did a double feature with my girlfriend over the weekend. She chose 1, I chose 1. Both of us ended up thoroughly enjoying the others' pick

1680106479994.png


Princess Mononoke (1997) - 8/10

My experience with animated films is admittedly quite lacking and she's tried her best to fix that. I should be thanking her because this was truly a great film. The characters were complex, the arcs weren't cookie cutter and felt genuine. The political themes of a movie over 25 years old still hit home, whether it be environmentalism and how it can clash with working class industries, dying small towns, or the treatment of women societally.

The score was delightful, very peaceful, eased you through the movie. An all around piece of great world building and immersive story telling.

Not everything was perfect, I didn't find that the love story was earned but nothing major that hurts the viewing experience.

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The Departed (2006) - 10/10

One of my all-time favourite films. I consider it an insult to me personally if you argue "the Departed isn't Oscar quality, they just needed to give Scorsese an Oscar."

You could have given best supporting to any one of the main side characters in this movie and it wouldn't have looked out of place. The grit, the profanity, the emotion, it all blends together so well.

" I'm gonna go have a smoke right now. You want a smoke? You don't smoke, do ya, right? What are ya, one of those fitness freaks, huh? Go f*** yourself."
 

OzzyFan

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Sep 17, 2012
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Did a double feature with my girlfriend over the weekend. She chose 1, I chose 1. Both of us ended up thoroughly enjoying the others' pick

View attachment 678041

Princess Mononoke (1997) - 8/10

My experience with animated films is admittedly quite lacking and she's tried her best to fix that. I should be thanking her because this was truly a great film. The characters were complex, the arcs weren't cookie cutter and felt genuine. The political themes of a movie over 25 years old still hit home, whether it be environmentalism and how it can clash with working class industries, dying small towns, or the treatment of women societally.

The score was delightful, very peaceful, eased you through the movie. An all around piece of great world building and immersive story telling.

Not everything was perfect, I didn't find that the love story was earned but nothing major that hurts the viewing experience.

View attachment 678123

The Departed (2006) - 10/10

One of my all-time favourite films. I consider it an insult to me personally if you argue "the Departed isn't Oscar quality, they just needed to give Scorsese an Oscar."

You could have given best supporting to any one of the main side characters in this movie and it wouldn't have looked out of place. The grit, the profanity, the emotion, it all blends together so well.

" I'm gonna go have a smoke right now. You want a smoke? You don't smoke, do ya, right? What are ya, one of those fitness freaks, huh? Go f*** yourself."

Princess Mononoke is great. The writer/director, Hayao Miyazaki, is generally considered the greatest anime director of all time. He's got about a dozen movies with his writing or directing fingerprints on them that are classics to masterpieces. A more adult targeting anime director I would suggest if you are interested is late Satoshi Kon. One up and coming name who has a new film coming out in North America soon is Makoto Shinkai, whose Your Name and Weathering With You were all around treats. While I'm on the topic, Takahata's Grave of the Fireflies could be the greatest anime I've seen, a tough watch but incredibly powerful. That's enough of me rambling. :laugh:. We don't get too much anime talk on here, so maybe I just needed to let that out.
 

NyQuil

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Jan 5, 2005
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Ottawa, ON
Excellent analysis as always, NyQ. I prefer to keep my rose-tinted glasses on and assume Andrew is playing in the most prestigious jazz band n the world at 30 instead of dead with a stomach full of pills. lol


I had a similar idea of the idea of Andrew's father as a great counter to Fletcher. Andrew's father seemed to diminish his accomplishments and musical ability, focusing more on his brothers and their athletic endeavors. Whereas in the events of the film, Fletcher was focusing almost solely on Andrew's performance, no doubt due to his already incredible talent.

You know, I’d forgotten about that aspect of Reiser’s character and Andrew’s brothers, and perhaps seeing his final performance in the film opened his eyes to what Andrew was capable of.
 
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Spring in Fialta

A malign star kept him
Apr 1, 2007
27,302
16,112
Montreal, QC
Tar (2022) is a powerful drama of a talented conductor who was embroiled in scandal. At first I was like, this person has got to be real. There must be a Lydia Tar. This is a biopic is it not. Even though I had never heard of her. And by the time I finished the film I realized...this story never happened in reality. It was all fiction. Lydia Tar...does not exist. And that is how realistic the movie was, as someone who likes classical music. It had me fooled.

9/10

The episode The Goof who sat by the Door (Season 4, episode 8) in Atlanta had a similar effect on me (It's about a black animator getting to be Disney CEO by happenstance during the peak of Disney's renaissance in 1992 and trying to make the 'blackest' movie of all-time). The plot is wild enough that the thing was obvious but I still did a double-check just out of pure, I don't know if reverence is the right word, just out of sheer respect for the episode. What a piece.
 

Hoverhand

Barry Trotzky
Dec 6, 2015
2,411
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Ontario
Princess Mononoke is great. The writer/director, Hayao Miyazaki, is generally considered the greatest anime director of all time. He's got about a dozen movies with his writing or directing fingerprints on them that are classics to masterpieces. A more adult targeting anime director I would suggest if you are interested is late Satoshi Kon. One up and coming name who has a new film coming out in North America soon is Makoto Shinkai, whose Your Name and Weathering With You were all around treats. While I'm on the topic, Takahata's Grave of the Fireflies could be the greatest anime I've seen, a tough watch but incredibly powerful. That's enough of me rambling. :laugh:. We don't get too much anime talk on here, so maybe I just needed to let that out.
Up to that point, I'd only seen Spirited Away. I kept telling myself I should watch more Miyazaki but found it tough to get around to it. In terms of Satoshi Kon, I watched Millennium Actress recently and enjoyed that quite a bit as well.

I've always preferred live-action content but I still do need to hunker down and make it through some of the greats. Paprika is probably next.
 
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Tasty Biscuits

with fancy sauce
Aug 8, 2011
12,597
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Pittsburgh
Excellent analysis as always, NyQ. I prefer to keep my rose-tinted glasses on and assume Andrew is playing in the most prestigious jazz band n the world at 30 instead of dead with a stomach full of pills. lol
I'm definitely in the NyQ mind of things. I ask: what is the most prestigious jazz band in the world right now? Who are the most well-known musicians (and drummers)? All that stuff Fletcher was saying about what was ultimately some random showcase in an auditorium was just to add to the set-up of the embarrassment.

Ultimately it's a look at an abusive relationship which asks how much you're willing to sacrifice to follow your dreams, however deluded they may be. I think looking at the the ending as the film validating Fletcher's methods to be a bit off. Whether or not you think Andrew is a better musician, all signs point to the rest of his life being worse off, and Fletcher's methods the reason for it. If someone asks you to hit them, and it's truly what they want, is you hitting them a justifiably "right" action? That's how I interpret the ending.

(still with all that in mind, anytime I see that rendition of Caravan I can't help but be inspired to pick up the sticks again. It's an excellent sequence of filmmaking).
 
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zombie kopitar

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Jul 3, 2009
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Hey what are the odds, I just finished Whiplash 30 mins ago and came here thinking of doing a write up, and here it is being talked about.

As someone who just went to New York with my ex and it was a wild ass ride, I really just loved the energy it gave reflecting the manic-ness of NYC, more than anything else. The acting was extremeley solid, you have to suspend your disbelief a little bit that a teacher would be getting away with treating their students like that for years on end. But it was a gritty albeit romanticized (in the worst way possible) look on the chase for perfection

All I'll say is, Birdman was betrer, and in my top 10 all time favorites, and imo did deserve best picture. And Keaton was robbed of best actor. But Simmons probably deserved supporting actor over Norton
You know, I’d forgotten about that aspect of Reiser’s character and Andrew’s brothers, and perhaps seeing his final performance in the film opened his eyes to what Andrew was capable of.
I read someone compare it to Frankenstein's monster; all Fletcher wanted to do was create/unleash this beast, and at that moment that is what his father saw, not his son.
 
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Rodgerwilco

Entertainment boards w/ some Hockey mixed in.
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I'm definitely in the NyQ mind of things. I ask: what is the most prestigious jazz band in the world right now? Who are the most well-known musicians (and drummers)? All that stuff Fletcher was saying about what was ultimately some random showcase in an auditorium was just to add to the set-up of the embarrassment.

Ultimately it's a look at an abusive relationship which asks how much you're willing to sacrifice to follow your dreams, however deluded they may be. I think looking at the the ending as the film validating Fletcher's methods to be a bit off. Whether or not you think Andrew is a better musician, all signs point to the rest of his life being worse off, and Fletcher's methods the reason for it. If someone asks you to hit them, and it's truly what they want, is you hitting them a justifiably "right" action? That's how I interpret the ending.

(still with all that in mind, anytime I see that rendition of Caravan I can't help but be inspired to pick up the sticks again. It's an excellent sequence of filmmaking).
I didn't mean to imply that I think the ending was intended to validate Fletcher's behavior, but it clearly pushed Andrew to the next level as a drummer. I just had an optimistic idea about where Andrew's musical career went after the Jazz festival. I think you're absolutely right that his life and future outside of drums will still be a wreck because of Fletcher's impact as well.

I think you summed up the film pretty perfectly in the bolded sentence.
 
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Spring in Fialta

A malign star kept him
Apr 1, 2007
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Montreal, QC
Cinema du Parc in Montreal and TIFF Bell LIghtbox in Toronto. TIFF Bell Lightbox also has a great digitial collection at good prices and most of the better international films end up being available there eventually. I'll let you know if it pops up on the digital menu in the future.

My mother-in-law gifted me a 6 ticket-pass to Cinema du Parc-Cinema Beaubien-Cinema du Musee for my birthday. Ended up catching The Quiet Girl last night at Parc. I liked it a lot but my wife should be the one thanking you. Said it's one of the best films she ever saw and was crying throughout most of it. I'll post a review within a couple of days.

By the way, out of curiosity, have you ever been to movie theaters in Montreal?
 

OzzyFan

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Sep 17, 2012
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Rashomon (1950) (subtitles)
3.55 out of 4stars

“The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.”
An excellent “psychological thriller crime drama” with a brilliant concept and brilliant execution. Most known for its narrative structure, coined as “The Rashomon effect”, where the same story is told by 4 different people with contradictory and subjective interpretations or descriptions. The overarching theme is that objective truth and reality may not exist, at minimum when first hand stories are being told, due to personal views and biases with some regard for one’s self or interests. From small scale to large scale its implications are mind blowing. The example in the film of a trial/justice being swayed in itself is notable, the possibilities of sacred religious texts to historical stories to even rumors. Catastrophic ramifications are possible and even probable. Feels like a rude awakening letter to the world, or at minimum a concerning gloomy realization.

Unforgiven (1992)
3.35 out of 4stars

“Retired Old West gunslinger William Munny reluctantly takes on one last job to help out his young children, with the help of his old partner Ned Logan and a young man, The "Schofield Kid."
An excellent western that shows the dark realities of Old West gunslingers, who should be loathed instead of envied. Well executed and won 4 Oscars, including a top notch Gene Hackman for best supporting actor as the villainous sheriff. It’s a nice examination of how the admired and legendized gunslingers were not just falsely historicized, but also truly murderous demons with no conscience and little to no regard for almost everything and anyone. Nor was what they did physically or emotionally or mentally easy, or easy to live with after, the act of killing people. They lived a life that hurt and ended lives while polluting their own inside and out. Ruthless, brutal, evil, and psychopathic. A realistic portrayal of the acts and lifestyle of these types, including many scenes of impacting and meaningful violence. All told through the eyes of a regretful/shameful old gunslinger and settled down ‘reformed’ gunslinger that is now a sheriff, 2 figures that don’t deserve acclaim, and only are who they are because they were “the last men standing”.

Donnie Darko (2001)
3.20 out of 4stars

“On October 2, 1988, troubled teenager Donnie Darko escapes a bizarre almost deadly accident when during a sleepwalking episode he is led by a figure in a monstrous rabbit costume named Frank who tells Donnie that the world will end in precisely 28 days, 6 hours, 42 minutes and 12 seconds.”
A great psychological sci-fi drama that is a little messy, openly interpretable, but a fascinating melancholy existential tale. Multi-genre mashing and called everything from political to religious to scientific to psychological to alien to you name it. Sporting a great turn from Jake Gyllenhaal, I see it clearly as a tormented soul dealing with life’s meaning and mortality. There are an endless amount of topics one could interpret as brought about in this film, but I feel a major message is that even if life feels meaningless, we give it meaning by all the people we impact through small and large interactions and choices we make. Even if we feel alone and different, we are not alone and we are all different, and we are able to see this if we have any existence on a personal or public scale. Our lives have power and value that we may not realize. Subtly, lingering, or otherwise. There are definitely flickers of light within this dark tale.

Paranoiac (1963)
2.85 out of 4stars

“A sibling long believed dead returns to the family estate to claim his inheritance right around the time it is set to be disbursed.”
A great psychological thriller horror with a whole lot of twists in it’s 80minute runtime, to go along with a great Oliver Reed turn, from the house of Hammer productions. Consistently suspenseful with melodramatic material that borders on the lines of distressing, bizarre/eerie, and comical. The definition of Paranoiac is “relating to or affected with paranoia”, which is a good way to describe almost every character in this fun film.
 

Pranzo Oltranzista

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Oct 18, 2017
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My mother-in-law gifted me a 6 ticket-pass to Cinema du Parc-Cinema Beaubien-Cinema du Musee for my birthday. Ended up catching The Quiet Girl last night at Parc. I liked it a lot but my wife should be the one thanking you. Said it's one of the best films she ever saw and was crying throughout most of it. I'll post a review within a couple of days.

By the way, out of curiosity, have you ever been to movie theaters in Montreal?
Your mother-in-law's pretty cool.
 

ItsFineImFine

Registered User
Aug 11, 2019
3,745
2,389
My First Summer (2020) - 5/10

Aussie indie drama which some might call 'cute' but I found it more like a generic pop summery pop song (which also happens to be music genre used for the soundtrack for the film). Coming of age and discovering your sexuality films are quite tedious and boring with the sort of tension overhanging them that can only be produced by someone who took their teenage years too seriously.

Anyways here's Parker Posey ordering baba ganoush.

 
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Chili

Time passes when you're not looking
Jun 10, 2004
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The Four Hundred Blows (Les Quatre Cents Coups)-1959 (subtitles)

My knowledge of the film before watching it was limited beyond reading that it was considered a classic. Believe that's a good way to watch it. A young boy's life in Paris, it's just feels so real as the story unfolds. The lead, young Jean-Pierre Léaud is amazing. Brought back memories of youth, thinking about kids I knew, a couple that ended up as CEO's to others who didn't reach adulthood. The challenges and pressures of growing up. Beautifully shot, great film.

mv5bmzrmode3mjctnwzkoc00ymyzlwi1ztetymuzytkxytgzodrkl2ltywdll2ltywdlxkeyxkfqcgdeqxvymdm0nzcxmq4040._v1_.jpg

What's New p***ycat?-1965

'Don't you dare call me that again...until I've looked it up.'-Peter Sellers

Don't know as there is a plot. Peter O'Toole is engaged to Romy Schneider but has several beautiful women who find him irresistible including Ursula Andress, Capucine and Paula Prentiss. Peter Sellers is his wacky psychiatrist. And Woody Allen is seeking sex (go figure) in his film and screen writing debut. One of those '60's romps with Burt Bacharach music and Tom Jones singing the title song.

the-swimmer-6.jpg

The Swimmer-1968

Ned (Burt Lancaster) decides to hike to some friends place so he can go for a swim. As he looks down at the valley below, he realizes there is a string of neighbour's pools leading to his house. So he decides to swim home, a journey across suburbia. Interesting encounters as he meets his neighbours who all seem to know him, some friendly, others not as much. Slowly the real story begins to take shape. Besides Tarzan, seems pretty rare for the star to spend a film in a bathing suit and barefeet. Burt still had the acrobat bod, showing nice swimming form, vaulting over equestrian jumps, even racing a horse at one point. Loved the originality, memorable film.
 

kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,875
11,144
Toronto
My mother-in-law gifted me a 6 ticket-pass to Cinema du Parc-Cinema Beaubien-Cinema du Musee for my birthday. Ended up catching The Quiet Girl last night at Parc. I liked it a lot but my wife should be the one thanking you. Said it's one of the best films she ever saw and was crying throughout most of it. I'll post a review within a couple of days.

By the way, out of curiosity, have you ever been to movie theaters in Montreal?
Yeah, oddly enough on my first honeymoon. Bought a cognac in the lobby; I was flabbergasted. Don't remember the theatre at all but the movie was To Sir with Love starring Sidney Poitier.
 

kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,875
11,144
Toronto
Pretty much the last time he was.
I liked him in Truffaut's later romantic trilogy of Antoine Doinel sort of grown up (Stolen Kisses; Bed and Board; Love on the Run), and I thought he did fine in La Chinoise, Last Tango in Paris, Day for Night, Face, and The Death of Louis XIV. I think he had a neat but tiny talent, but you can't be 22 forever.
 

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