Movies: Last Movie You Watched and Rate it | {Insert Appropriate Seasonal Greeting Here}

Rodgerwilco

Entertainment boards w/ some Hockey mixed in.
Feb 6, 2014
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I've not seen two of those movies on the list (The Alligator People and The Last War. It's an odd collection (The Alamo?), but you have several treats to look forward to including two big ones, The Guns of Navarone and North by Northwest.
Yes it's quite the collection. I'm not sure if you're familiar with him, but the director and creator of the video game series Metal Gear Solid, Hideo Kojima, is an avid movie buff and much of his work is intimately inspired by video games. Sometimes even detrimentally so, as he's been accused of ripping off some other works, most notably Snake Plissken from Escape from New York.

Kojima has been credited with bringing cinematography to video games and much of his work plays almost like a movie at times.
So my weird take is of Kubrick's "great" films (Strangelove, 2001, Clockwork, Lyndon, Shining, FMJ, EWS), Strangelove is clearly and distinctly at the bottom of them for me. It's great - like 8/10 maybe? if I'm rating it, but I just like it - don't love it. Feels like a minority opinion but it's just something about it that doesn't sing to me the way the rest of his top tier films do.
Yes I guess it would seem that you're in the minority, seems to be a pretty universally loved movie. I know I sure loved it. I think I can see how it wouldn't really hit for some people though. Like I said, without the comedy it really would be a pretty bleak and depressing movie.
 
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Babe Ruth

Looks wise.. I'm a solid 8.5
Feb 2, 2016
1,595
697
Columbus Day (2008)

Val Kilmer plays a thief, stranded in Echo Park. Kilmer pulls off a heist the night before, then finds himself in a public park trying to unload the stolen goods.. and in an existential crisis. He befriends a latch key kid, starts calling his estranged daughter, and tries to elude police over the course of this Columbus day afternoon.
Slow at times, but interesting concept I thought. Felt like a play at times, but there were some action scenes & flashbacks.
Watched on Roku channel..
 

shadow1

Registered User
Nov 29, 2008
16,731
5,528
Cube-2-1.jpg


Cube 2: Hypercube (2002) - 4/10

Eight strangers wake up in a series of interconnected cubes lined with boobytraps.

This ensemble includes Geraint Wyn Davies, Grace Lynn Kung, and Kari Matchett as the captives trying to escape the cubes. The group, who have no memory of how they ended up in their predicament, race to decode numbered clues as they try to find the exit. However, they quickly begin encountering a series of traps which contradict the laws of physics...

Cube 2: Hypercube was directed by Andrzej Sekula, and written by Ernie Barbarash, Sean Hood, and Lauren McLaughlin. Sekula is most well known as the cinematographer who shot Pulp Fiction (1994), while Hood - who originated the story - is most well known for co-writing Halloween: Resurrection (2002). How does the blending of these unusual resumes payoff in Cube 2?

No well. The original Cube was a bleak film that was mostly grounded, with the captees having to avoid realistic traps like aerosols, fire, and razor wire. Cube 2 turns to the science fiction, with the characters main foe being computer graphics. Though I agree the movie needed to change up something to differentiate it from the first, the computer graphics - while good for the time - fail to create any type of suspense or tension. There were a couple moments where I felt I was finally starting to buy into the movie, only to be taken out of it again by the film's lackluster threat.

There are other traps in the film, but for the most part every cube the characters visit is safe, with the main threat being the computer graphics stalking them. In addition to a lack of trap variety, the setting is extremely bland. The original movie changed things up by lighting each cube in a different color, but Cube 2 has every room lit with 4000K white light. This decision killed any hopes this movie had of having atmosphere.

The final and most severe sin of Cube 2 is the writing. The movie takes a long time to get going, with a half hour passing before the first death. The characters are very poorly written as well, and it takes them forever to even begin asking themselves why they've been abducted. When they finally do, some of the conclusions they come to are completely illogical, as are many of the actions the characters eventually take. Two characters in particular are so over-the-top that you can only roll your eyes when they monologue, which unfortunately is often. This film also has some of the most wooden performances I've seen in a long time, but considering the material, it's hard to hold it against the performers.

Overall, Cube 2: Hypercube is a dud. Yes, I probably could've figured that out when I saw the title was "Cube 2: Hypercube". But considering how much I enjoyed its cult classic predecessor, I rolled the dice with my 90 minutes of time anyway. My recommendation is that you don't. Budget information could not be found for Cube 2, but it earned $3.5M.
 

The Macho King

Back* to Back** World Champion
Jun 22, 2011
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The Ballad of Buster Scruggs - so I love the Coens and this was my last real blind spot. I... didn't like it? Maybe anthologies just aren't for me because this did absolutely nothing for me. 4/10

Washed it down with The Nice Guys - one of my favorite films of the 2010s. Gosling is absolutely hilarious in this. Crowe is great. The actress that plays his daughter is wonderful. I love a good shaggy dog detective story. 8.5/10
 

The Macho King

Back* to Back** World Champion
Jun 22, 2011
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Wife had never seen Finchers Girl With the Dragon Tattoo, so we watched that tonight. This is one of those where planning for a trilogy did the movie a bit of a disservice. The main plot is well done, it's tight, Mara, Craig, and Skarsgard are all fantastic, and it's paced well. But the first 10 and last 20 minutes involving the libel story... I just don't care and it feels disconnected. Still - great movie 7.5/10 - there's just a better one hiding in there.
 
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kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,875
11,143
Toronto
2954b26ace1149b4a225e1b8a39b0f81


Last Summer (2023) Directed by Catherine Breillat 6B

Anne is a lawyer, specializing in cases where children are abused, who surprises herself and jeopardizes her career and her family by having an affair with her partner's 16 year-old-son. When midway through the movie she is confronted by her husband, she adopts a novel approach at defence. She simply very convincingly lies her head off. Last Summer raises a host of moral questions but works best when viewed as a character study of a woman who is neither as smart nor as sensible as she initially seems. French director Catherine Breillat is no stranger to controversy. In fact, she seems to really like pushing the envelope and shocking France's long-suffering bourgeoisie (Romance; Fat Girl). Because actor Olivier Rabourdan really does look like he is in his mid-teens, the scenes of love making can be a little uncomfortable. Despite the provocations that Breillat courts, there is no question whose side she is on. Anne goes from marginally sympathetic to monster status and stays there.

But about a third of the way through the movie, I realized that this was all beginning to look oddly familiar. And then I remembered a 2018 Danish movie called Queen of Hearts that told the exact same story. Breillat's film has more shock value, but I fail to understand why she thought Queen of Hearts needed to be remade especially when both films are so similar in narrative structure. Couldn't Breillat make up her own edgy story if she wanted to cover similar material? Last Summer is well-executed, probably even a little superior to Queen of Hearts, but, really, there was no need whatsoever for a version 2.0.

subtitles
 
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KallioWeHardlyKnewYe

Hey! We won!
May 30, 2003
15,772
3,808
Not a big New Year's Resolutions guy, but I do enter every year motivated to deliberately tackle a couple of filmographies or series/collections of movies. I had a big Walter Hill and Peter Weir stretch last year. This year I think I'm going to dive into Aki Kaurismaki though I haven't started yet but also Martin Scorsese's World Cinema Project, which has rescued and restored about 50+ world movies. Not going to get to them all, but plan to check out a bunch. So far...

Law of the Border. 1966, Turkey. Effectively a Western. Rich v. poor. Tradition v. development. There's a nice murkiness. The father resists change but his son wants to embrace education and a future. The power is corrupt, save for one good cop. The poor push back. Foreign on its surface but very familiar in its themes, characters and execution. There's a cool French New Wavey shootout sequence.

Trances. 1981, Morocco. Another arguement for the universiality of life and experience. Music documentary about the band Nass El Ghiwane. You don't have to know anything about them to appreicate the music and the movie, which hits several of the same beats you'd see in documentaries about other bands/musicians. Good concert footage. Jammy.

Lucia. 1969, Cuba. Three stories. Three women named Lucia. Three different social classes. Three different points of revolution in Cuba's history. Thematically connected, but stylistically different (I was particularly taken with the super high contrast black and white of the first segment). Essentially three smaller movies. It's the sorta thing I'd be willing to bet someone like Steven Soderbergh loves. I loved it too. Really effective at taking a couple of small characters and using them to make larger points about society and revolution. Plays with some big, bold melodrama, but also realism. Technically interesting, but also emotionaly satisfying. Good stuff.
 

kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,875
11,143
Toronto
Not a big New Year's Resolutions guy, but I do enter every year motivated to deliberately tackle a couple of filmographies or series/collections of movies. I had a big Walter Hill and Peter Weir stretch last year. This year I think I'm going to dive into Aki Kaurismaki though I haven't started yet but also Martin Scorsese's World Cinema Project, which has rescued and restored about 50+ world movies. Not going to get to them all, but plan to check out a bunch. So far...

Law of the Border. 1966, Turkey. Effectively a Western. Rich v. poor. Tradition v. development. There's a nice murkiness. The father resists change but his son wants to embrace education and a future. The power is corrupt, save for one good cop. The poor push back. Foreign on its surface but very familiar in its themes, characters and execution. There's a cool French New Wavey shootout sequence.

Trances. 1981, Morocco. Another arguement for the universiality of life and experience. Music documentary about the band Nass El Ghiwane. You don't have to know anything about them to appreicate the music and the movie, which hits several of the same beats you'd see in documentaries about other bands/musicians. Good concert footage. Jammy.

Lucia. 1969, Cuba. Three stories. Three women named Lucia. Three different social classes. Three different points of revolution in Cuba's history. Thematically connected, but stylistically different (I was particularly taken with the super high contrast black and white of the first segment). Essentially three smaller movies. It's the sorta thing I'd be willing to bet someone like Steven Soderbergh loves. I loved it too. Really effective at taking a couple of small characters and using them to make larger points about society and revolution. Plays with some big, bold melodrama, but also realism. Technically interesting, but also emotionaly satisfying. Good stuff.
You are going to have a good time with Kaurismaki.
 

The Macho King

Back* to Back** World Champion
Jun 22, 2011
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Showed up on my Netflix as leaving soon, so I rewatched Snowpiercer.

This is my second least favorite Bong movie (only one lower is Barking Dogs Never Bite). And I absolutely f***ing love this movie. Evans gives a good performance, Swinton as a less-evil Margaret Thacher was inspired, and Ed Harris' probably 2 days on set were well spent. And I loved seeing Kang Ho Song in that setting - i don't know if he understands English but if he doesn't that has to be a hard task.

Bong clearly loves focusing on class issues (literally his entire filmography speaks to it at least somewhat), and it fits really well into this setting. And I don't think these issues should be treated in a subtle manner. I love that he just beats you over the head with it.

Like I said - second least favorite Bong film. Bong is by far my favorite director, and this comes in as an 8.5/10.
 
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Pink Mist

RIP MM*
Jan 11, 2009
6,779
4,905
Toronto
You are going to have a good time with Kaurismaki.

Agreed. I did a big dive into Kaurismäki last year, and outside of his well known stuff he has some really fun deep cuts.

Especially his early work which was really French New Wave influenced (his production company was even named Villealfa, after Godard's Alphaville)

Some of those deep cuts I love:
- Calamari Union
- Hamlet Goes Business (his take on Hamlet)
- The Liar (directed by his brother Mika Kaurismäki as an exceptional film school thesis. but Aki wrote the script and is the leading actor in it)
- The Worthless / Arvottomat (also directed by Mika, but Aki wrote the script, acts, and was an assistant director. really fun road movie)
 
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ItsFineImFine

Registered User
Aug 11, 2019
3,745
2,389
Ferrari (2023) - 5/10

Why is everyone doing a terrible Italian accent lol. It was ridiculous especially Adam Driver's and it made most of the acting seem ridiculous. Just do a normal accent or have Italian actors speak in Italian. Anyways it's a bit sad watching this because it was surprisingly made by Michael Mann but you wouldn't know it from how generically biographical it was going through the motions, didn't feel unique at all or stylish in the way he used to make films. And resultingly, it managed to be quite boring too for a movie with racing.

My American Uncle (1980) - 6.5/10

Bit of a concept film by Alain Resnais and it does work at times but it's missing any of the intrigue of Hiroshima Mon Amour or Last Year at Marienbad. It's more accessible than those two but he doesn't tell stories in a very engaging way so when the style isn't as good then the film feels almost a bit bland.
 
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Nakatomi

Registered User
Dec 26, 2022
156
200
Species (1995) - 7/10

For men of a certain age, this film had quite an impact on their coming of age, haha. I decided to revisit it for the first time as an adult, having only really paid attention to a few specific scenes back in the day as a teenager.

To my surprise, it is actually a rather entertaining movie! It does some solid world-building to set us up with the basic plot of alien DNA being grown in a lab here to become effectively a superhuman that then escapes. The effects and costumes held up fairly well. The CGI, while obvious in some parts, does not really detract overall.

Even beyond enjoying the vision of beauty that Natasha Henstridge was, there is a lot of fun to be had here. Forest Whitaker plays an empath which works in a sort of slightly ham-fisted way to help move the plot along at points, and I really enjoyed the young Michelle Williams appearance until she "grows up" as watching the alien in both younger and older form as it slowly learns and adapts to human life is great.

Also the movie largely takes place in Los Angeles, and there is certainly some meta-fun had at the idea that this being from outer space with no real personality is able to mostly blend right in with all the other beautiful LA people.

Anyway, for anyone who has not revisited this in a while, it is a pretty well-done film. Sort of has an 80s B-movie vibe but with a pretty big name cast (Ben Kingsley?!) for seemingly no discernible reason. It holds up!
 
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The Macho King

Back* to Back** World Champion
Jun 22, 2011
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Couple of movies this weekend.

Mission Impossible: Dead Reckoning

Pretty good flick. These movies are all effective at what they're doing. The plot was kinda nonsense but also that's kind of expected. Pretty good performances all around although the new female actress in the crew was kind of sloppily developed. 6/10 good time

Kiss Kiss Bang Bang


So my love of The Nice Guys has people recommending this to me. This is like a rough draft of a much better movie. It's oddly sexist and homophobic. Plot is okay but obviously all over the place. RDJ is fairly charming but again his hang ups with women just... sucks? I wanted to like this more but it felt very dated.

3/10
 
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Nakatomi

Registered User
Dec 26, 2022
156
200
Couple of movies this weekend.

Mission Impossible: Dead Reckoning

Pretty good flick. These movies are all effective at what they're doing. The plot was kinda nonsense but also that's kind of expected. Pretty good performances all around although the new female actress in the crew was kind of sloppily developed. 6/10 good time

Kiss Kiss Bang Bang


So my love of The Nice Guys has people recommending this to me. This is like a rough draft of a much better movie. It's oddly sexist and homophobic. Plot is okay but obviously all over the place. RDJ is fairly charming but again his hang ups with women just... sucks? I wanted to like this more but it felt very dated.

5/10
It is fascinating how changes over the last decade or so on social mores related to sexism and homophobia have almost supercharged how dated some movies seem. In earlier generations it is like special effects stood out as the demarcation between eras. I wonder if another few years from now the clear change in movie eras will be how acceptable or not certain casual misogyny or homophobia seem in a given plot.
 
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sdf

Registered User
Jan 23, 2015
2,233
393
Rostov on Don
It is fascinating how changes over the last decade or so on social mores related to sexism and homophobia have almost supercharged how dated some movies seem. In earlier generations it is like special effects stood out as the demarcation between eras. I wonder if another few years from now the clear change in movie eras will be how acceptable or not certain casual misogyny or homophobia seem in a given plot.
I certainly no need to have in a movie gays just in the sake of having them there. As for misogyny depends what you mean by it, i dont mind any type of female main characters if they're hot, lal
 

End of Line

Sic Semper Tyrannis
Mar 20, 2009
27,738
5,508
Mystic River (2003) 5/10

I just do not understand the love for this. Sean Penn horribly overacted and was just an annoying character considering what his character went through and did. Tim Robbins performance was alright in comparison. Kevin Bacon was just meh. The character they want you to believe committed the murder you already knew didn’t do it bc the writing was subpar. The ending with Laura Linney’s character was bizarre as f***. I guess what I liked was that you could see Boston’s central artery still in use.
 
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The Macho King

Back* to Back** World Champion
Jun 22, 2011
49,081
30,020
It is fascinating how changes over the last decade or so on social mores related to sexism and homophobia have almost supercharged how dated some movies seem. In earlier generations it is like special effects stood out as the demarcation between eras. I wonder if another few years from now the clear change in movie eras will be how acceptable or not certain casual misogyny or homophobia seem in a given plot.
Even sleeping on it I want to drop this lower - the only thing sticking with me is the unnecessary (and unfunny) gay jokes and RDJ ranting because women have sex? Yeah dropping this to a 3.

But that's one of the touchy things especially with comedies of the 90s and early 00s. Gay jokes made up such a huge cultural thing that we moved by so quickly that it stands out awkwardly. The other issue is how so many of the jokes are just lazy. Don't quit your gay job? What does that even mean?
 

Raging Bull

Present
Jan 25, 2004
20,198
5,082
Hamilton, ONT
Mystic River (2003) 5/10

I just do not understand the love for this. Sean Penn horribly overacted and was just an annoying character considering what his character went through and did. Tim Robbins performance was alright in comparison. Kevin Bacon was just meh. The character they want you to believe committed the murder you already knew didn’t do it bc the writing was subpar. The ending with Laura Linney’s character was bizarre as f***. I guess what I liked was that you could see Boston’s central artery still in use.

I agree. Best part of that movie is the score. The stuff with Kevin Bacon and his estranged wife is kind of just thrown in as well.
 

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