So let's put it this way--it's not Ringo.
As the old joke goes; he was the fourth most talented Beatle! I remember that seeing Ringo on VH1's
Storytellers was somehow one of the saddest sights I've ever witnessed on TV (he was The Beatles' drummer and brilliant at that but let's not pretend he was a good songwriter or a singer and deserved to be on that show).
I'm more of a Lennon than McCartney guy. That might be slightly contradictory, since I hugely prefer the later Beatles albums to the earlier ones, and on those McCartney usually dominates a bit. However, the thing is that even the worst Lennon songs have at least some interesting or depth in them, whereas McCartney's 'rubbish' is mostly just that. This sort of continued in their post-Beatles careers imo.
Imagine would be my favourite record, with
Plastic Ono Band a fairly close second.
Band on the Run was probably the strongest McCartney/Wings effort, but I think it's somewhat behind those two Lennon ones.
Some fave Lennon solo/post-Beatles songs:
#9 Dream (a Beatles-level masterpiece!)
Crippled Inside (oh, the contrast between the jolly music and downright nasty lyric)
Jealous Guy (could and maybe should have been on the White Album as Child of Nature)
How? (a bit too self-pitying but those 'Hollywood strings'!)
Instant Karma! (the creep called Phil Spector and Lennon were a good team for a while)
God ("I don't believe in Beatles!" Ouch!)
Oh My Love (a pretty for you)
Woman (aaand another one)
Of course "Imagine" is a super-classic too, but I can't help but sneer at the lyric nowadays!
McCartney:
Band on the Run (too bad the least interesting part lasts by far the longest, though)
Listen to What the Man Said (pure joy, effortless Macca melodicity)
Jet (ditto)
Waterfalls (a seemingly forgotten gem)
No More Lonely Nights (1980s highlight for me)
Let 'Em In (um, yeah)
With a Little Luck (kind of 'just a ditty', but somehow a very charming and disarming one at that)
And since even a bunch of bagpipes on it couldn't prevent "Mull of Kintyre" becoming the best-selling single ever at the time (was it the UK?), it has to be a great song, right?
I have to get better aqcuainted with George's solo stuff, but the general consensus seems to be that after a brilliant start, he deteriorated fairly quickly, dare I say, to mediocrity.