Would anyone consider "There Will Be Blood" as a Western?
Surprised by the lack of mention for No Country for Old Men. One of the great films of this century.
I wouldn't but I'd love to hear the argument as to why it would be.
"There Will Be Blood blends the pursuits of industry, the burden of conscience, the sleight-of hand religious manipulation and the savage truth of western frontier life to create a film that garners the same feeling as a renaissance fresco, gracing the walls of a holy place."
"The original savage truth of western life and of finding fortune is that you are in mortal peril. In a moment of strange predestination H.W’s biological father baptises his son with oil, only to be crushed by malfunctioning equipment in the following scene."
"Oil men like Plainview who industrialised the frontier heralded the end of the old west and perhaps its men of morality and values as we know it. PTA and Day-Lewis don’t appear to reset compasses with this vision of the west, but instead to show the audience that the point was spinning like a tornado."
Marvelously photographed by Anderson veteran Robert Elswit largely around Marfa, Texas (where “Giant” was shot), “There Will Be Blood” is western to its core, presenting a vast, uncaring environment that dwarfs the grasping men who are determined to wrest hidden wealth from the earth.
I must first say that I’m a huge fan of Paul Thomas Anderson‘s work. Magnolia is one of my favorite movies of all time. I love how he tells a story. I love the performances he gets out of his actors/actresses. And from someone who comes from a filmmaking background, I love his cinematic style (the steadicam tracking shots…etc). That said, I hate westerns. And while There Will Be Blood is not technically a western, my good friend and fellow critic Mel Valentin assured me that for all this was a western without the traditional cowboy characters.
As an analysis of the American experience, the film invites a comparison with the massive body of Western films created by John Ford. Both filmmakers use their work to tell a story of the nation, but Anderson begins where Ford ended. As a son of immigrants to Maine, John Ford embraced a romantic vision of the frontier and invented the West as we popularly understand it. In film after film, John Wayne embodied the American spirit: energetic, physically imposing, self-reliant, resourceful, courageous and invariably moral. As time passed, Ford’s vision grew darker. In “The Searchers” (1956), Wayne’s driven character keeps a faltering grip on his own sanity, and in the end is excluded from civilization. In “The Man Who Shot Liberty Valance” (1962), Wayne is a respected anachronism, and in “Cheyenne Autumn” (1964), a revisionist, remorseful view of the Indian wars, he does not appear at all. Near the end of his career, Ford recognized the Western myth as flawed at best, but at worst as fraudulent.
Surprised by the lack of mention for No Country for Old Men. One of the great films of this century.
I wouldn't consider it a western but I always thought that movie was very overrated.
What didn't you like about it and why wouldn't you consider it a Western?
And it sort of needs cowboys to be a Western.it's more of an action film or thriller. I just didn't think it was anything special, a guy going around killing people with an odd weapon.
Western (genre) - WikipediaWikipedia said:Contemporary Western
Also known as Neo-Westerns, these films have contemporary U.S. settings, and they utilize Old West themes and motifs (a rebellious anti-hero, open plains and desert landscapes, and gunfights). For the most part, they still take place in the American West and reveal the progression of the Old West mentality into the late 20th and early 21st centuries. This subgenre often features Old West-type characters struggling with displacement in a "civilized" world that rejects their outdated brand of justice.
Examples include Nicholas Ray's The Lusty Men (1952); John Sturges's Bad Day at Black Rock (1955); Lonely Are the Brave, screenplay by Dalton Trumbo (1962), Hud, starring Paul Newman (1963); The Getaway (1972); Junior Bonner (1972); Bring Me the Head of Alfredo Garcia (1974); Hearts of the West starring Jeff Bridges (1975); Alan J. Pakula's Comes a Horseman (1978); J. W. Coop, directed/co-written by and starring Cliff Robertson; Robert Rodríguez's El Mariachi (1992), Desperado (1995) and Once Upon a Time in Mexico (2003); John Sayles's Lone Star (1996); Tommy Lee Jones's The Three Burials of Melquiades Estrada (2005); Ang Lee's Brokeback Mountain (2005); Wim Wenders's Don't Come Knocking (2005); Joel and Ethan Coen's No Country for Old Men (2007); El Camino: A Breaking Bad Movie (2019); the television shows Justified (2010–2015) and Longmire (2012-2017); Hell or High Water (2016) and Wind River (2017), both written by Taylor Sheridan; and the superhero film Logan (2017). Call of Juarez: The Cartel is an example of a Neo-Western video game. Likewise, the television series Breaking Bad, which takes place in modern times, features many examples of Western archetypes. According to creator Vince Gilligan, "After the first Breaking Bad episode, it started to dawn on me that we could be making a contemporary western. So you see scenes that are like gunfighters squaring off, like Clint Eastwood and Lee Van Cleef—we have Walt and others like that."[25]
El Mariachi is an of example of that. Old west story in modern setting. That movie would have been among my favorites above.There is a sub-genre called the contemporary western or neo-western for westerns that are set in more modern times:
Western (genre) - Wikipedia
No Country for Old Men is cited as an example of that sub-genre, so, technically, in the broad sense, it counts as a western. That said, when I (and most people) hear "western," we think of traditional ones set in the Old West. As such, I, personally, would not consider it to be a "western," but a neo-western, instead, if that makes any sense.
The lack of Rio Bravo in so many lists... Dean Martin's finest moment on screen.
I have it on my to-watch list for the next week or two, as well as its tongue-in-cheek followup, El Dorado. I think that I've seen Rio Bravo, but it would've been so long ago. I left off of my list a lot of great Westerns that I just didn't feel confident adding because I hadn't seen them in a long time (like Lonesome Dove, which I just love, but which I haven't seen in ages because the darn thing is 6 hours long). I suspect that that's the case for a lot of posters.