Movies: The Official "Movie of the Week" Club Thread IV

KallioWeHardlyKnewYe

Hey! We won!
May 30, 2003
15,782
3,829
Programming alert. I'm going to be traveling for the second half of December and am unlikely to post anything longer or more thoughtful around these parts than a few sentences will allow during that time.

Don't wait up for me!

I'll catch up when I return.
 

Jevo

Registered User
Oct 3, 2010
3,503
399
Riceboy Sleeps (2022) dir. Anthony Shim

After her boyfriend gets put in psychiatric hospital due to his schizophrenia, and ultimately commits suicide there. So-Young decides to move from Korea to Canada with her six year old son Dong-Hyun. So-Young gets a job in a factory where she gets sexually harassed by some coworkers, but also gets a community with the fellow immigrant women working there, korean and otherwise. Dong-Hyun speaks no English but still goes to a suburban elementary school, where he gets relentlessly teased by the other kids, who seemingly haven't seen a non-white person before and for whom mayo is an exotic food, for being asian, for the food he eats, for his name. As he gets older he actively tries to surpress his korean heritage.

Riceboy Sleeps doesn't shy away from showing the ugly parts of moving to another country. Dong-Hyun has a terrible time facing racism almost constantly throughout his childhood. But direct and systemic racism. So-Young tries her best be a good mother for him, but often comes up short compared to what his emotional needs are. It doesn't help him that she doesn't want to talk about their past in Korea, which further alienates him from his heritage, leaving him without roots. Anthony Shim lets the camera roll, even when things are uncomfortable, and it works well to put the viewer in the same state of wanting to get away from the situation, that the characters are no doubt feeling.

I worried that the movie would take a turn for the melodramatic when So-Young got her cancer diagnosis, but I am happy that it didn't. It stayed grounded. Even the end felt emotionally genuine, even if it was a bit on the nose.

I really liked the first half of the movie. I feel it's a great piece of social realist cinema from an immigrant point of view. It shows the hardships of the immigrant experience, both from an adult and a child point of view. The second half I didn't feel was quite as strong. I can see why Anthony Shim made it like that. He gave himself a very hard task of showing a young person rediscovering their heritage, living it, taking pride in it, as a way to gaining self confidence and finding out who you are as a person. It's something that's very hard to show on film. But I think he makes it work quite well, even though it's slightly contrieved. But to me it doesn't flow as naturally as the first half. But I also can't see how Shim could have told this story in a better way. I'm interested to see where his career goes from here. I hope his next venture will be just as inspired as this one.
 
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kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,984
11,258
Toronto
Programming alert. I'm going to be traveling for the second half of December and am unlikely to post anything longer or more thoughtful around these parts than a few sentences will allow during that time.

Don't wait up for me!

I'll catch up when I return.
I don't know. A Christmas break seems like a pretty good idea to me. Enjoy your travels and season's best.
 

Jevo

Registered User
Oct 3, 2010
3,503
399
The Lives of Others (2006) dir. Florian Henckel von Donnersmarck

1984. East Berlin. Stasi is key compenent of the state's repression of the people, and it keeps growing every year, now spanning several hundred thousand employees and informants. Gerd Wiesler is an experienced Stasi officer, skilled in both surveillance, interogation and teaching of new Stasi operatives. He is ordered by his friend and superior Grubitz, to spy on playwright Georg Dreyman. A man who seems a model East German citizen. No known history of ever saying anything controversial about East Germany or communism. Wiesler is intrigued by the case, and wants to do the surveillance personally. He is however diasppointed, when he learns the real reason for the surveillance is not any concrete suspicions towards Dreyman. It's however ordered directly by the minister of culture, Bruno Hempf, who is interested in Dreyman's girlfriend, the actress Christa-Maria Sieland. This knowledge leads Wiesler to gain sympathy for Dreyman and Sieland. Which at first leads him to orchestrate that Dreyman discovers the affair between Sieland and Hempf, but he also convinces Sieland to return to Dreyman. Later it causes Wiesler to conceal Dreyman writing an anti-East German article, which is published in a West German paper.

In a morbid sort of way, I find Stasi very interesting. It's an organisation which grew very fast in few years, and was an ever growing bureaucracy, and often Stasi itself, was what was fueling it's every expanding bureaucracy. It's seems to be me, that it was an organisation which had an ever growing internal paranoia. It saw anti-communist behaviour and dissenters everywhere. It was only a matter of catching them in the act. This paranoia required more surveillance, more informants, more agents. This caused more arrest which caused more paranoia etc. I was in Berlin last fall, and visited the Stasi museum in their old headquarters. It was a scary and enlightening experience, and I would recommend it to anyone who ever goes to Berlin. I couldn't imagine a better movie about the topic than The Lives of Others.

The Lives of Others show the difference between two principal types of people working in this sort of system, and what happens when they clash. The true believers so to speak. Those who believe that the surveillance is of great importance, and always righteus and justified. That's Wiesler. Then there's the politicians. Those who see it for the political tool that it is, and how it can be used and abused for their own gain. That's Grubitz and Hempf. At the begining of the film Wiesler can almost be considered a worker bee who knows only how to execute the Stasi handbook and the law. But being confronted with the political reality of his assignment forces him to reevaluate what it is he is doing. It causes him to gain a conscience. Seeing this change is Wiesler is impressively powerful. Often it wouldn't be a compliment if one of the most tense moments of a film was a character writing two sentences on a typewriter. But here that's the case, and it's a great compliment to the filmmakers. Seeing Wiesler write an incorrect report for the first time is a great moment in the film, and shows the change he has been undergoing.

I doubt The Lives of Others is gonna leave my mind any time soon. It's a very powerful movie, which never overplays it's hand. The story and direction is underplayed, it allows the story to develop slowly, and for the viewer to develop their own ideas concurrently with the movie.
 

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