One of the greatest Japanese metal acts of all time, Anthem is a band that deserved to be mentioned in the same breath as their English speaking contemporaries. Unfortunately, due to terrible label support throughout their career and the emergence of Visual Kei in the 90s that took over much in the way Grunge forcefully pushed aside metal bands stateside, the Japanese titans only managed one stateside tour with Racer X. A tour that left many people hungry for more, but sadly wouldn't get satisfied until many decades later in 2022. After the band initially broke up in 1992, band leader Naoto Shibata met with the band's producer Chris Tsangarides of Judas Priest fame and Animetal producer Yorimasa Hisatake in 1999 and said he would bring back the band on one condition. Bring an English speaking frontman since former singers Eizo Sakamoto and Yukio Morikawa were busy with other projects. The singer enlisted? Former Rainbow and Alcatrazz singer Graham Bonnet. With help from Tsangarides, Bonnet translated and rearrange the lyrics to Anthem's best hits into coherent English versions and out popped the diamond in the rough for the year 2000 Heavy Metal Anthem. All the hits from the band's career before the 1992 break up are played phenomenally and are translated well into English. Bonnet's voice shines through and fits like a glove, matching the grit and polish of previous singers Sakamoto and Morikawa. Guitarist Akio Shimizu picks up where he left off from 1992 and is highly technical in covering the band's former catalog, improving upon the originals done by the band's first guitarist Hiroya Fukuda. In his final album with the band before hanging them up, Takamasa Ohuchi puts in the performance of his life on the skins and brings the thump to the party. Especially when paired with the fast paced and punchy bass of Naoto Shibata. If you ever wanted to hear what one of the greatest metal acts from Japan sounded like while actually understanding the lyrics of the songs? Heavy Metal Anthem isn't an album to skip. It's a great introduction to a criminally underrated metal act that should be considered in the same stratosphere with metal acts such as Priest, Maiden, Dokken, Metallica, and Motorhead.