The switch away from all the real sets they used in season 1 to the usage of the volume in season 2 takes some time to get used to. Hopefully it was just necessary for some of the more fantastic settings in this first arc (if you can call endless wheat fields fantastic), and we'll see more of the interior shots and real sets as we progress further.
I like how they're showing us the dysfunction between multiple different rebel groups who aren't really working together, and how that lack of communication and differing styles can breed conflict. However, I don't like how they turned Maya Pei's rebels into basically just comic relief. Why were they all so inept? How did a group of such idiots manage to become notorious Rebels who had evaded the ISB? I get that they wanted them to be "kids" who were in over their heads, but it felt off in terms of tone and the otherwise grounded realism of Andor.
Most of the stuff with the tie fighter, especially in episode 1, felt like it was foisted into the show by executives who heard the complaint that season 1 was "too slow." It felt like a cookie cutter action sequence jammed into a show that usually only relies on those action sequences at a moment of plot turbulence and climax. They even had the "zoom in on a ship escaping a dust cloud" trope.
Speaking of the tie fighter, how did Andor go from "I don't know how to pilot this thing, it's not what I was trained to pilot, I've been stuck upside down for 2 days" to immediately jumping into hyperspace towards his friends and gunning down Imperials in the blink of an eye?
Not really sure why Syril is still in the series, and his relationship with Dedra seems like a cop out for both of their characters. However, the scenes with his mother were outright hilarious.
I'm genuinely not sure if the farmer did turn in Brasso, or if Brasso was making a big display to take the fall and spare someone else. That particular scene was confusing to me.
The Chandrila arc was definitely the highlight so far, even if it was a bit predictable.
I enjoyed the callback to the Niamos music during the last part of the wedding scene.
So much of season 1 centered around the banality of evil and oppression. Yet episode 1 has scenes with a secret group of Imperials mustache-twirling and plotting a conspiracy. That was a big miss, in my book. I wish they had found a different way to provide the exposition dumps regarding Ghorman, Dedra's assigment to that project, and the connection to Krennec. I get the plot convenience of those scenes to align those pieces on the board and let us know who/what/where/why things are going to focus on Ghorman, but having its downfall be by a deliberate conspiracy of evil-doers undercuts a lot of the themes of Andor season 1. Last season, it was the structures of power itself that led to events unfolding the way they did, not by direct manipulation. It was people just doing their job, whether it be the Morlana security, the Aldhani garrison, or the cut-throat ISB agents.
To their credit, I think the Imperial census scenes in episodes 2 and 3 did a much better job of showing how deliberate abuses of power fit within the banality of the Imperial oppression.