I watched a new documentary on the legendary ABBA manager Stig "Stikkan" Anderson on YT (mostly in Swedish).
Based on one view, I'd give it a tentative 7.5/10. It's somewhat on the short side (just under an hour), but on the other hand, would I really want to see a (much) longer doc about him anyway? Not sure. So, while his accomplishments (hit maker, lyric writer, manager, record company owner) in the Swedish music/entertainment business in the 1950s/1960s are being discussed, pretty soon we get to the ABBA part of his story, which basically started around 1963/64 when he signed Björn Ulvaeus' band called the Hootenanny Singers. Then it's the glory years and his role — not at all small — in ABBA's world-wide success. And finally, the bitter breakup of both their financial and personal relationships (minus Frida) and somewhat sad final years, marred by alcohol(ism), with the Polar music prize being one highlight.
The definitive high point for me was to again see footage of "Dancing Queen" being recorded in late 1975; I had seen some of it previously, but less-extensively. The film also debunks the myth that Anderson wrote 2000—6000 song lyrics in his career; it was apparently considerably less (700+). For an ABBA nerd, though, I don't think there are too many new revelations.
The negative is obvious; no member of ABBA was interviewed for the film. I don't know for sure, but one would guess that they were asked, and they declined (probably consulting each other first). Shame. So, we mostly get to hear Anderson's daughter Marie, his son-in-law and Swedish superstar Tomas Ledin and his long-time assistant/secretary/co-executive Görel Hanser, and that is perfectly fine by me, but I wonder if international ABBA fans at large care very much? Well, there's always the ABBA footage in the film at least.
Not necessarily because of the documentary per se, but I was left wondering; what would Stig Anderson think about ABBA's new-found mega-popularity in the 2000s (the musical, the films, the 'ABBAtars' show etc)? Would he have been able to enjoy it and be proud of his own role in the ABBA history or (still) just bitter about it à la "It was me who made this possible"? I guess we'll never know.