ItchyScratchy77
Registered User
Pierre LeBrun said Winnipeg game 3 was the loudest crowd he's ever experienced.
He did say this.
He was asked if Winnipeg was louder than Nashville and that was his response.
Pierre LeBrun said Winnipeg game 3 was the loudest crowd he's ever experienced.
Designing a building for acoustics means it ABSORBS sound. MTSC has plenty of acoustic absorption. They even have it on the ceiling.
Designing a building for acoustics means it ABSORBS sound. MTSC has plenty of acoustic absorption. They even have it on the ceiling.
Jets fan agreesWho is the loudest, aka please notice us.
Hmm, you learn something new every day. I heard it was designed with sound in mind which I interpreted to mean NOT quiet.
The small footprint, with relatively steep seating and as much overhand on the upper deck as they can get without compromising sight lines is a big factor. Basically you have more fans closer to the ice and in a smaller volume than you would in most arenas. The compromise is that t’s probably the most cramped for legroom, but that was a deliberate trade off they knew when they designed the building that they wanted to trade leg room for getting fans closer to the ice (or stage for concerts).I've been to many, many concerts at both the old Winnipeg Arena and the new Bell MTS Place. The old arena was a challenge for good sound, with lots of bouncing and echo, but the new building is almost flawless, which should make it less noisy, yet somehow during Jets games...it isn't.
Where did he say this? I saw Pierre in an elevator before game 3. Very nice guy.He did say this.
He was asked if Winnipeg was louder than Nashville and that was his response.
Compare MTS to US Bank stadium in Minneapolis which apparently sucks balls for concerts and is huge. MTS definitely has a roof to attract concerts.Gotta keep in mind that the building is used for many concerts too. If the acoustics were designed to propagate sound it would be a huge challenge to mix bands and you'd have areas in the building where there would be almost no clarity due to resonance issues. Sound damping is a huge part of why that building is an acceptable venue for concerts.
If they didn't have concerts or other events there i'm sure they would design the building to amplify crowd noise, and make it insanely loud.
Gotta keep in mind that the building is used for many concerts too. If the acoustics were designed to propagate sound it would be a huge challenge to mix bands and you'd have areas in the building where there would be almost no clarity due to resonance issues. Sound damping is a huge part of why that building is an acceptable venue for concerts.
If they didn't have concerts or other events there i'm sure they would design the building to amplify crowd noise, and make it insanely loud.
I totally get that the design has to limit echo; I mean clearly that's why recording studios have soft and uneven material lining the walls. Perhaps it was doublethink for me to expect that reducing echo and designing for optimum sound/volume isn't contradictory. But I digress; we're getting way off track.
My initial point was an attempt to concede that the building design contributes to how loud the building gets. I guess this shoots that point down. What good is a low ceiling if it absorbs all the sound?
Not even sure why I'm in this thread. As I said in another post a week or so ago, who gives a **** whether one building is a decibel or two louder than another?![]()
Where did he say this? I saw Pierre in an elevator before game 3. Very nice guy.