Monsieur Verdoux (1947) Directed by Charles Chaplin 7A
The founding father of film criticism, James Agee, thought Monsieur Verdoux was a masterpiece, but he was almost alone in praising the film when it was first released. Despite being set in 1932 in France, the movie was roundly denounced by North American critics in a manner boarding on hysteria. No one expected a comedy so black from Chaplin, and people were genuinely surprised by the film's perceived cynicism. Monsieur Verdoux is the story of a Bluebeard type figure, a man who courts middle-aged woman so that he can eventually murder them and take their money. Verdoux (Charles Chaplin) is not your common criminal, though. Forced out of work, he takes up a life of murder and duplicity in order to help his crippled wife and young son who have no other means of support. He rationalizes his acts as being small change in comparison with the lives taken by the great armies of the world. Following a seven year hiatus from film, Chaplin's choice of story was like a slap in the face to many observers, especially so as the movie focuses heavily on situational ethics and "enlightened" self interest, concepts that most critics didn't even want to think about in the early post-war years. Chaplin's performance here is among his best. The Tramp figure is finally abandoned and in its place is this oily, intelligent, sentimental, ruthless, ironic, immoral Verdoux. Although there are a scattering of comic moments in Monsieur Verdoux, I can't claim there are a lot of laughs. But there is a whole lot more food for thought here than in most Hollywood movies released in this time period. I'll give the last word here to Agee who called the film “even more remarkable and fascinating as a study of the relationship between ends and means, a metaphor for the modern personality— that is, a typical ‘responsible’ personality reacting to contemporary pressures according to the logic of contemporary ethics.” One need look no further than the current regime in Washington to see how bankrupt the notion that situational ethics can justify virtually anything remains today.
Available on Netflix