Last Movie You Watched and Rate It | Movie-mber Edition

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Tasty Biscuits

with fancy sauce
Aug 8, 2011
12,597
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Pittsburgh
Recent Pixar movie dump:

Soul: For me this was a very good, not great, film (and I play piano and studied jazz drums for a while and often feel creatively unfulfilled, so you think it'd be in my wheelhouse haha). Props first and foremost to the animation. They did some really cool things with the medium, and the film is a visual treat to watch. For the most part it also nicely avoided the "overload of chase scenes necessary to keep kids' attention spans" that seems to plague most animated movies. I'm still making up my mind if I liked the very end or think it's a bit of a cop out (maybe a bit of both haha). Still, it's always nice to see Pixar deliver movies at the quality they've shown they're capable of. B+

Brave: This one caught me by surprise. I figured I had it pegged from the moment I saw the trailer way back, and the general reaction seemed to confirm my suspicions, which is why I never got around to seeing it (although I feel like it was an easy narrative to latch onto, as after batting 1,000, Pixar released Cars 2, and then Brave, so it was easy to say "They don't have it anymore!"). But the plot takes a really big swing I wasn't at all expecting, and as a result the scope of the story feels refreshingly insular, and as a result I was extremely engaged from then on. Worth checking out if you avoided it for the reasons I did. B

The Good Dinosaur: Another visually beautiful film, and also, extremely funny, which I was not expecting. There are some creative, inspired plot choices up top which, but unfortunately after that there's not much else to the film. This one definitely suffers from the "chase scene overload" I mentioned above. Also, the complete lack of a denouement did not help things. Usually I'm a favor of less rather than more as far as that's concerned, but its absence cheapened the stakes established at the film's onset, which left a sort of "....okay?" feeling at the end. C+

Onward: It's okay. That's really about all I can say. Like, it's fine, I liked the story well enough. I think it's another case of the "Pixar Burden" being placed upon it, but no studio can produce quality hit after hit, especially when they make such a high volume of films. Didn't feel like the first watch was a waste or anything, but can't see myself revisiting this one. C

The Incredibles 2: Wow, what happened. I was looking forward to this one too. Instead it felt utterly disposable. Very disappointed. That's about all I can say. D+
 
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Tasty Biscuits

with fancy sauce
Aug 8, 2011
12,597
3,946
Pittsburgh
Recent non-Pixar movie dump:

Hunt For The Wilderpeople: Excellent. Well-crafted film with mass appeal. Has pretty much everything you want from a movie of its ilk. Currently on Netflix, and I recommend subtitles or else you'll miss out copious amounts of New Zealand slang (as well as lyrics to an original song late in the movie). Taika does it again (and his cameo is hilarious). Great performances from the leads, which often isn't the case when you've got kids/teens carrying a heavy load. A-

Mother: No, not that one. The 2009 Bong-Joon Ho movie where a mother attempts to prove the innocence of her "slow" son who is convicted of a murder after police bully him into signing a confession. Unsurprisingly a lot of similarities to Parasite here, in that the plot and characters always keep you on your toes, and big laughs can be found at some of the most unsuspecting places. The attention to detail and amount of layering done by the director is very impressive. Certainly recommended. B+

Bill and Ted Face the Music: Enjoyable and very funny. This one definitely exceeded expectations. Nice to see the dudes still being excellent to each other. B-

On The Rocks: The new one from Sofia Coppola starring Rashida Jones and Bill Murray. Woof. What a dud. D-
 
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Tkachuk4MVP

32 Years of Fail
Apr 15, 2006
14,848
2,787
San Diego, CA
I have to give praise to Andrew Patterson's 2019 debut The Vast of Night. I watched this last night on Amazon Prime and it is pretty stunning. Filmed in 2016 for about $700,000, and wasn't released at all until 2019 (and not released to streaming until 2020). It's a low-key sci-fi movie set in the 1950s in a small New Mexico town where a teenage girl working as a switchboard operator hears a strange sound over the radio and investigates it. The movie is a tight 85ish minutes, slow-burning and character driven, with some insanely creative camera work and pretty riveting and thought-provoking dialogue and conversation. It's ambitious on a small scale, which I appreciate. Think of a micro-sized version of Arrival, or a better, more subtle, indie version of Super 8.

Can't wait to see this one, it looks great.
 

ItsFineImFine

Registered User
Aug 11, 2019
3,745
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The Vast of Night had a messy start, good middle act with a solid build-up, and imo a bit of a letdown of an ending. It felt very much like a debut in fairness though and that director can hopefully do some better things going forward but you do need a more well-rounded story I guess.

Also I caught my parents watching Columbus on Kanopy lmao they accidentally watched an art film for once. I heard my dad saying 'what kind of film was that' when it finished and my mom liked it because the daughter character is each mother's fantasy.
 
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Spring in Fialta

A malign star kept him
Apr 1, 2007
27,302
16,112
Montreal, QC
Don't know where else to put this. The most entertaining cinematic interview I have ever seen. A filmmaker boasting angrily about their dishwashing virtuosity is not something you get to see everyday. Great work by Gallo. Who knows how much of it is true and what is performance art (0, 25, 50, 100%?) but I've always found his shtick to be one for the ages.

 

Osprey

Registered User
Feb 18, 2005
27,922
10,805
The Four Feathers (1939) - 8/10 (Loved it)

In late Victorian England, a British soldier who resigns his commission to get married instead of deploying with his company is branded a coward by his three mates... and his fiancée (ouch). Determined to salvage his honor and prove his bravery, he travels to the Sudan to help the men that he let down. This war-time epic was, as Chili said, filmed largely on location in the Sudan and features thousands of extras and hundreds of camels and horses in some scenes. Locals and existing structures are used instead of actors and sets to give an authentic feel that most 30s films lack. It all looks gorgeous in technicolor and much like the epics that would come in the 50s and early 60s. I kept having to remind myself that it's a 1939 film. In fact, it's hard to believe that this film was made only 40 years after the period that it depicts and twice that length of time has passed since. The story is a little hard to believe in parts, but it's still a very good story. I really enjoyed it, and though I'd seen it before, I'm thankful to Chili for the reminder to watch it again. It further solidifies what a tremendous year 1939 was for films. It's available on YouTube, The Criterion Channel and HBO Max.

Full movie:
 
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sr edler

gold is not reality
Mar 20, 2010
12,145
6,636
The SpongeBob Movie: Sponge on the Run (2020) by Tim Hill – 6.5/10

This will probably go down as the historical high point of 2020. Pretty nice film if you ask sr edler, although it kinda flatlined (predictably) and had like 12 minutes of slow ass credits to some random music.
 

Pink Mist

RIP MM*
Jan 11, 2009
6,779
4,905
Toronto
The Third Man (1949) directed by Carol Reed

In post-war Vienna, an American pulp fiction writer Holly Martins (Joseph Cotton) visits his friend Harry Lime (Orson Welles) seeking a job. Upon arriving he discovers that Lime has been killed so he stays and Vienna to investigate Lime’s death with the help of Lime’s lover Anna (Alida Valli). Oh man, what a film. Everything comes together in this one to create a masterpiece. Great use of lighting and shadows in its cinematography, excellent score (inspired by SpongeBob, I'm told) with the light zither music, an excellent set in the grimy post-war underground of Vienna (which acts as its own living breathing character) with a great cast of actors and performances. And then two thirds of the war into the film, Orson Welles pops in with a sly smile and seals the deal for me. A masterpiece and a new favourite.

 

PepperKeenan

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Sep 22, 2012
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Anyone noticed that IMDBs "known for" section on actor/director/etc profiles has turned to complete shit?

I was watching The Thing (1982) last week and later went onto Kurt Russells profile and appearantly he's known for The Hateful 8, Escape from LA, Executive Decision and Tango and Cash.

Surely he's more known for The Thing, Tombstone, Miracle, Bone Tomahawk, Escape from NY, GotG2, Big Trouble..., Deepwater Horizon, Christmas Chronicles or Stargate?

Having Escape from LA on it instead of NY, like wtf? I'd never even heard of ED or T&C.. I dunno, maybe it's just Kurt Russells page that's messed up, or my knowledge of him and his movies are mixed up.
 

Pranzo Oltranzista

Registered User
Oct 18, 2017
3,981
2,900
Anyone noticed that IMDBs "known for" section on actor/director/etc profiles has turned to complete shit?

I was watching The Thing (1982) last week and later went onto Kurt Russells profile and appearantly he's known for The Hateful 8, Escape from LA, Executive Decision and Tango and Cash.

Surely he's more known for The Thing, Tombstone, Miracle, Bone Tomahawk, Escape from NY, GotG2, Big Trouble..., Deepwater Horizon, Christmas Chronicles or Stargate?

Having Escape from LA on it instead of NY, like wtf? I'd never even heard of ED or T&C.. I dunno, maybe it's just Kurt Russells page that's messed up, or my knowledge of him and his movies are mixed up.

You haven't heard of Tango & Cash? :whaaa?:
 

Rabid Ranger

2 is better than one
Feb 27, 2002
31,570
11,824
Murica
Watched Strangers on a Train last night. Hadn't seen it in a while but as a Hitchcock fan and a tennis fan I love it. What struck me is while it was made in the 50s there are a fair amount of contemporary touchstones in the film. I guess as much as things change they stay the same. Special shout out to Patricia Hitchcock (Alfred's daughter) who played the younger sister Barbara. Hilarious. 9/10.
 
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Osprey

Registered User
Feb 18, 2005
27,922
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I guess it might have disappeared fast. I must have seen this film 4-5 times when I was a teen. Really thought it was at least as known as The Thing (certainly not as good).

Yeah, it's definitely not as well known as The Thing, which is a classic and always gets mentioned and recommended. Tango & Cash is not a very good movie and is a disappointing one because you'd hope for an action movie with Stallone and Russell to be better. It faded quickly and probably wasn't on TV much, so I'm not surprised that someone born after its release hasn't heard of it.

Now, the fact that he hasn't heard of Executive Decision is slightly more concerning.
 
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nameless1

Registered User
Apr 29, 2009
18,202
1,020
Anyone noticed that IMDBs "known for" section on actor/director/etc profiles has turned to complete shit?

I was watching The Thing (1982) last week and later went onto Kurt Russells profile and appearantly he's known for The Hateful 8, Escape from LA, Executive Decision and Tango and Cash.

Surely he's more known for The Thing, Tombstone, Miracle, Bone Tomahawk, Escape from NY, GotG2, Big Trouble..., Deepwater Horizon, Christmas Chronicles or Stargate?

Having Escape from LA on it instead of NY, like wtf? I'd never even heard of ED or T&C.. I dunno, maybe it's just Kurt Russells page that's messed up, or my knowledge of him and his movies are mixed up.

All those are mainstream blockbusters. It seems like the list is based on popularity and not quality. Rightly or wrongly, The Thing and Big Trouble in Little China are more in the cult favourite category.

I am not a fan of any of those in the first list, but they appeal more to the mainstream audience than the others. Honestly, I am more familiar with Russell because of the movies from the first list than those you mentioned.
 
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nameless1

Registered User
Apr 29, 2009
18,202
1,020
Should I really? Came out the year before I was born and don't think it's been aired on TV growing up.

You are good. Tango & Cash is dog crap, but for better or worst, it is representative of the late 80s action genre. Nowadays, people watch it for nostalgic value, and frankly, that is the only reason why people still remember the movie.

Now, the fact that he hasn't heard of Executive Decision is slightly more concerning.

That is dog crap too. He is fine to have never heard of it.
:laugh:

Coincidentally, it is representative of another era, this time mid-90s action movies, and it also paired him up with an action star in Seagal. The latter was on the downward trend, and almost irrelevant at that point, however.
 
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ItsFineImFine

Registered User
Aug 11, 2019
3,745
2,389
The China Syndrome (1979) - 7.5/10

Found it! I love the aesthetics of 70s paranoia thrillers and this never showed up on those lists because it's a bit different in tone but it's not far off and a more focused plot than most of them like Klute. It's films like these that are the reason why nuclear power has a bad name but it's still a captivating film especially from strong acting by Jane Fonda & Jack Lemmon. A young hippie looking Michael Douglas is overemotional and overacts throughout.

From Here To Eternity (1953) - 7.5/10

Eugh Montgomery Clift, I hate him, more every time I see him in a film. Slouched postured mediocre acting pretty boy. I was surprised they didn't have more beach scenes on this film set in Hawaii, the lighting was quite bad on the ones they did shoot. A bit too much it feels like is happening with storylines and maybe the melodramatic take on a WW story hampers it down but it's one of the better WW dramas of the era.
 

nameless1

Registered User
Apr 29, 2009
18,202
1,020
The China Syndrome (1979) - 7.5/10

Found it! I love the aesthetics of 70s paranoia thrillers and this never showed up on those lists because it's a bit different in tone but it's not far off and a more focused plot than most of them like Klute. It's films like these that are the reason why nuclear power has a bad name but it's still a captivating film especially from strong acting by Jane Fonda & Jack Lemmon. A young hippie looking Michael Douglas is overemotional and overacts throughout.

From Here To Eternity (1953) - 7.5/10

Eugh Montgomery Clift, I hate him, more every time I see him in a film. Slouched postured mediocre acting pretty boy. I was surprised they didn't have more beach scenes on this film set in Hawaii, the lighting was quite bad on the ones they did shoot. A bit too much it feels like is happening with storylines and maybe the melodramatic take on a WW story hampers it down but it's one of the better WW dramas of the era.

Damn, that is some strong emotion.
:laugh:

On the contrary, I love Clift, and I think he is extremely underrated. The scene when he blows the trumpet as tears slowly fall from his face always stands out to me. After his accident where he almost died, and he became a husk of his former self, he still managed to give an Oscar-nominated performance in Judgement at Nuremberg. By all accounts, he could barely do his job anymore at that point, as he was nervous, jittery and could not remember his lines, but the director just told him to say whatever is on his mind, and he absolutely delivered. It is one of the rawest performance I have witnessed, and it just shows how much talent he has. Even at his worst, he still outshines many.
 

Osprey

Registered User
Feb 18, 2005
27,922
10,805
TheLostPatrol-09.jpg


The Lost Patrol (1934) - 6/10 (Liked it)

During "the World War" (you know that a film is old when it refers to WWI without the 'I'), a British patrol gets pinned down at a desert oasis by an Arabian sniper. This early John Ford-directed picture is mostly a psychological suspense film about the strain of being in a harsh environment while being picked off one by one by an enemy that the men (and we) can't see. Those aspects reminded me a little of much later films like Assault on Precinct 13 and The Thing. It's easy to imagine John Carpenter being inspired by this film. The suspense is tame by modern standards and takes a lot of breaks to develop the characters, some getting sentimental, some panicking and some going crazy. Boris Karloff plays one and I bet that you can't guess which route he goes. Victor McLaglen plays their sergeant and, at one point, takes a machine gun down from the wing of a biplane and mows down some Arabs (above). Even if the rest were bad, I'd like the film just for that scene. It's not a great film, but it's an interesting one for being an early Ford picture (the man would go on to win a record four Best Director Oscars in the next two decades), for taking place entirely in the desert and for likely inspiring later films.
 
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kihei

McEnroe: The older I get, the better I used to be.
Jun 14, 2006
43,875
11,144
Toronto
e_Tax_Collector_07102020.jpg


The Tax Collector
(2020) Directed by David Ayer 3A

Two Latino enforcers (Shia LaBeouf and Bobby Soto) with big cojones get squished by an invading cartel boss with MUCH bigger cojones. I thought macho posturing like this went out of style in the '70s but apparently not. Director David Ayer has a really noteworthy track record in a perplexing sort of way. Including The Tax Collector, every one of the nine movies that he has directed has an audience approval rating higher than its critical rating on Rotten Tomatoes, sometimes massively so as in this case, 19% versus 72%. It sounds like Ayer is the creator of fun trash, but I'm with the critics on this one. The movie is one grueling slog of non-stop cliche punctuated by brief spurts of violence and stupid dialogue. The Tax Collector can best be described as an uninteresting lump of a movie that will quickly sink beneath the waves and never be heard from again.

Netflix
 

NyQuil

Big F$&*in Q
Jan 5, 2005
99,188
65,528
Ottawa, ON
During "the World War" (you know that a film is old when it refers to WWI without the 'I'), a British patrol gets pinned down at a desert oasis by an Arabian sniper. This early John Ford-directed picture is mostly a psychological suspense film about the strain of being in a harsh environment while being picked off one by one by an enemy that the men (and we) can't see. Those aspects reminded me a little of much later films like Assault on Precinct 13 and The Thing. It's easy to imagine John Carpenter being inspired by this film. The suspense is tame by modern standards and takes a lot of breaks to develop the characters, some getting sentimental, some panicking and some going crazy.

One of the more compelling sniper sequences that I enjoyed was in the Hurt Locker.

An exercise in patience and maintaining attention as his buddy puts suntan lotion on him, keeps him hydrated, etc.
 
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