Queer (2024) Directed by Luca Guadagnino
6B
Well, Daniel Craig cannot possibly get further away from James Bond than this. Craig players author William Burroughs' stand-in William Lee, a sleazy middle-aged gay man who trolls the seedier bars of '50s Mexico City looking for an easy pick up. When he first casts eyes on Eugene Allerton (Drew Starkey) it is love at first sight. Unfortunately, the ultra-enigmatic Allerton reciprocates only very marginally, just enough to keep the poor fish on the hook. So what we have is a mostly unrequited romance that drives William Lee nuts.
Queer is definitely worth seeing for Craig's great performance, but the movie as a whole has several problems. Foremost is a clash of aesthetics. Director Luca Guadagnino makes movies that are pretty to look at, that stylize the squalor. Burroughs writes tough prose that makes no concessions to smoothing off the edges on anything. Plus, the movie seems like it is not sure where it wants to go, with a sudden abrupt change of direction in the third act and a coda that is, oddly, a direct homage to
2001: A Space Odyssey's intentionally ambiguous ending. Go figure on that one. Finally the distinctive Trent Reznor sound track and accompanying use of songs by Prince, Nirvana and New Order is striking, but it seems intended for a different movie, certainly not one set in Mexican gay bars in the '50s. But, again, Craig almost single-handedly makes up for all of these flaws. It's the best performance that I have seen all year.