If the bolded is your threshold, you can probably throw the mid 80s Eastwood version of Shane whose name I can never remember in there.
When I started listing 90s westerns, I realized there weren't actually that many worthwhile ones and went searching my brain for anything else. It was a desperation heave.
While I admit that was rather out of place with some others I mentioned, I have a major soft spot for that entire trilogy and have seen Part III alone probably 15 times. It's a very entertaining western. It's a bit of a cheat, as it's a sci-fi western and no standalone movie and heavily built on previous character build-up, but it's still a blast. And westerns, of all genres, are especially rooted in the endearingly low brow -- excitement for the masses. No snootiness allowed 'round these parts.
Also I would not classify some of the movies listed by other as "westerns" per se. Most have the classic tropes of a western (Hell...Star Wars has some as well), but in my mind a western is a movie that takes place in the period of the so-called "old west"
See, I would just refer to that as a "classical western," maybe add that word "American" in there. A sub-genre of the "western." Because there are so many movies about and from so many different cultures and time periods (even worlds) that don't take place in the Old American West, yet are unified by a tight identity. Italy......Japan.....etc. It feels criminal to not label Kurosawa movies, like
The Seven Samurai or
Yojimbo, westerns (
Yojimbo was essentially remade as Leone's
A Fistful of Dollars, starring Clint Eastwood).
I agree that the tropes of a western are permeated through our entertainment culture. But I don't think of Star Wars as a western; it's almost more an epic swords and sandals descendant. It just borrows a few things; mostly in the form of Han Solo and Tatooine. But it's hard to not find odes to the genre in most works.
And when you think about it, westerns are just descendants of medieval knights and whatnot. They didn't invent or monopolize violent morality tales; they just gave it their own dirty, frontier, low down, gun slinging spin. Those modern movies I listed I would call just that: "modern westerns." Those stories and landscapes -- think
No Country or
Hell or High Water -- could almost be transplanted in their entirety to the 19th century old west, though they'd lose something of course.