This is about the last film that I'd ever expect to see remade. Then again, this looks nothing like the original, so it hardly seems like a remake.
Ah, the filmmaker (Nate Parker, also the star) admits that it has no relation, but took the name, anyways, to make a point (and maybe generate attention).
Nate Parker said:
"Griffith's film relied heavily on racist propaganda to evoke fear and desperation as a tool to solidify white supremacy as the lifeblood of American sustenance. Not only did this film motivate the massive resurgence of the terror group the Ku Klux Klan and the carnage exacted against people of African descent, it served as the foundation of the film industry we know today. I've reclaimed this title and re-purposed it as a tool to challenge racism and white supremacy in America, to inspire a riotous disposition toward any and all injustice in this country (and abroad) and to promote the kind of honest confrontation that will galvanize our society toward healing and sustained systemic change."
That's some pretty charged language there. He seems to think that the answer to 100-year-old racial propaganda that turned whites against blacks is
more propaganda to, this time, turn blacks against whites ("inspire a riotous disposition" and "promote... confrontation"). I don't see how that's better. It's also ironic that, while condemning the KKK as a group that terrorized and murdered black people, he's also promoting a film about a group that went around terrorizing and murdering white people (including women and children), though I imagine that he'll portray them heroically... just as the 1915 film portrayed the KKK. If you're trying to show the flip side of the coin, but you're just flipping the agenda and the whitewashing, how is it different? It just seems awfully hypocritical and misguided.